Wiardgroup

Interesting comments Les. They mirror my experiences.
> Sure, you could plop all ten fingers down on preset #27 and let the
> resulting pad morph away for 30 seconds and "that's good enough for this
> scene, let's move on" but what you just did sounds just like 1273 other
> folks
Unfortunately, Konkuro is right, a lot of people work that way. In fact,
despite his enormous modular synth walls, I'm yet to hear a distinctive Hans
Zimmer score.
One composer who seems to use his modular gear is Mark Isham.