hi, I'm a bit in shock. I wanted to get Wiard modules but from the website a year or so ago I thought only the 1200 series was available so I needed to go via frac rack to give me basic VCOs etc. I was looking forward to the new Wiard modules mentioned on the list and assumed they would be 1200 series.
I can quite understand the reasons given for going back to the 300 series..I can also understand it would be unreasonable to have the new modules in 1200 format but I can't help thinking had I known this a year ago I wouldn't have gone for my current set up of Balcet, Wiard and Bananalogue but would have slowly built up a 300 series.
I think you are saying the JAG and joystick will remain in production in the current format?
regards, Mark
Grant Richter wrote:
I'm have put the 300 series back in full production.
The 1200 series is still available until I use up the existing parts. I plan to port the 1200
series design into 300 series packaging eventually. The Joystick and JAG will stay just as
they are. It would make no sense to have those in 300 series cases.
The 300 series was never completely out of production, but I had switched my main
efforts to the Frac-Rac format. I now think that was a mistake. I didn't want to go head to
head with Don over the 200e, but now the Buchla product is mature enough that I feel OK
placing my emphasis on the 300 series again. I wanted Don to succeed with the 200e.
Musical instruments is a field where if one company "defeats" another company, the whole
culture loses out.
John Simonton intended the Frac-Rac format to be economical. John Blacet has done a
absolutely brilliant job of executing designs in that format. But the Frac-Rac doesn't have
the inherent infrastructure for the highest grade professional instruments. That is not to
take away from the great modules already designed, or question the quality of theose
instruments. A Blacet instrument is a superb economical instrument.
In my opinion the Frac-Rac aluminum is too light weight and the lack of fully shielded
enclosures keeps them from achieving extremely low electrical noise. Because of that, I
don't feel Frac-Rac modules should cost over $300 tops. That price point places a limit on
the complexity of designs. To summerize, I like the Frac-Rac format a lot, and I admire the
instruments already in that format. But it has become a limitation for new Wiard designs.
I am hoping for some customer feedback. The goal of the 300 series is to have 12 unique
module designs, there are currently 8. These 8 modules already do almost every kind of
synthesis known to mankind, so designing 4 new modules is no easy task. The Envelooper
is one new design for certain.
What additional features would you like to see in the 300 series? Feel free to speculate,
there are no stupid ideas. (Well, adding a Moog style transistor ladder filter is a stupid
idea, the Boogie filter already blows that thin sounding design away).