I wonder if a little touchplate controller would be a good tryout for a fiberglass faceplate 1200-series module? I presume that the touchplates themselves could just be etched onto the surface of the board? Maybe something 2 x the width of the boogie filter and borg filter modules with say 8 or 10 plates, each with one or 2 voltage level pots above it, an out for each pot, and a gate out. Switchable between triggered by touching one of the plates, or steppable with a trigger pulse input, so you can use it as a sequencer, maybe? A couple of attenuators or a couple of basic linear VCAs at the top would be cool, maybe a variable voltage out with a pot as a performance control, Maybe even a slightly bigger version with a built-in joystick if yer feeling really fancy. I was playing with the sequantiser the other night - I routed the unquantised out to one of the scale tables of a waveform city, via the attenuator of a Blacet mult/att module (this is such a handly little module, it actually makes a good performance control, depending on what you route through it - I have one next to the joystick for this) - I had a lot of fun altering the level of the sequencer signal going to the quantiser, I got sequences that worked pretty well with different chords, but homing in on them with the attenuator pot could be tricky - something like the touchplate described above would have made it easier & even more enjoyable. I'd buy such a piece immediately, and use it loads if you were to make one, Grant. On 3/18/07, Grant Richter <grichter@asapnet.net> wrote: > > > I don't know if anyone remembers the "crop circles" keyboard that Don Buchla made. > > From the one picture I have seen of it, it looks like it was designed for quradraphonic > panning. It was arranged in a circle with 4 quadrants of "woven" traces. It looked like each
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Re: [wiardgroup] Why fiberglass faceplates for Frac-Rac
2007-03-19 by Norman Fay
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