200e

Hi Eric,

It changes from time to time, but here is mine:

Audio ins: 

A: main 261e
B: mod 261e
C: main 259e
D: mod 259e
E: 266e noise (flat)
F,G,H: variable

Audio outs:

1: to 291e input A
2: to 291e input B
3: to 291e input C
4: to 292e channel 4
5: to 291e Mod input A or B or C

Channel A,B,C from the 291e go to the first 3 channels of the 292e,
then to the 227e.
Channel 4 of the 292e goes straight to channel 4 on the 227e.


CV ins:

A: 249e CV 1
B: 249e CV 2
C: 249e pls out.
D: 281e(1) env out.
E: 266e Qantized Random Voltages output C.
F: 222e ch 6 CV1 out
G: 222e ch 7 CV1 out
H: 222e ch 6 Loc out

CV outs:

1: 261e CV in
2: 259e CV in
3: 227e ch 1 spatial control in
4: 227e ch 2 spatial control in
5: varies.

this is a rough idea of what i do at the moment : i recently upgraded
from a 12 space case to an 18 with a 222e, so i am far from  an ideal
routing standard....what you see here is a natural evolution of the
old routing.


There is also a lot of direct patching involved, most of the time,
which i am forced to write down in order to recreate later on, if needed.

I am also uploading a copy of a patch sheet i used early this year for
a concert i did at Berklee College of Music in Boston: the whole
concert was based on that routing and i developed the composition over
a series of different presets.

hope this helps,

A.



--- In 200e@yahoogroups.com, alt-mode <yahoo@...> wrote:
>
> Hi,
> 
> I just rearranged my system into an 18 WLS from a bunch of 4 boat
racks and
> I would like to develop a basic set of routings through the 210e as
patch
> templates and for performance.  The question is, what do you route
through
> the 210e to gain the maximum flexibility/functionality?  I don¹t mind
> overriding or adding additional patch cords for a particular setup
but I¹d
> like to have some basic routings stored.
> 
> What do you run through your 210e?
> 
>     Eric
> 
> 
> 
> [Non-text portions of this message have been removed]
>