200e

On Feb 15, 2011, at 4:40 AM, Paul Batlan wrote:

> That helps with major scales.  How about the data for minor and other scales?  Anyone?  Never studied music theory and a matrix with 222/223 cv settings for other scales would be immensely appreciated.  Indian raga scale or gamelan anyone?


I have this sequencer Max patch that has an elaborate scale system called ScaleMaster built in. It only has equal-tempered approximations of things like Slednro or Pelog (Gamelon scales). Here's the database from that quantizer. It is expressed in scale degrees, so first, here's a table of scale degrees to voltage:
1 = 0
b2 = 10
2 = 20
b3 = 30
3 = 40
4 = 50
b5 = 60
5  = 70
b6 = 80
6  = 90
b7 = 100
7 = 110
Add 120 to the above for each octave transposition. 

So for Slendro, we would have
1 = 0
2 = 20
4 = 50
5 = 70
b7 = 100



ScaleMaster table:
Octaves, 1;
Fifths, 1 5;
PentAmbig, 1 2 5;
Fourths, 1 4 b7;
cbm_q1, 1 3 4 6;
cbm_q2, 1 b3 4 b6;
Tristan, 1 b3 b5 b7;
cbm_p1, 1 2 4 5 7;
PentaMaj, 1 2 3 5 6;
PentaMin, 1 2 b3 5 b6;
Slendro, 1 2 4 5 b7;
Pelog, 1 b2 b3 5 b6;
Miyako-bushi, 1 b2 3 5 b6;
Blues, 1 b3 4 b5 5 b7;
SixtoneSym, 1 b2 3 4 b6 6;
Petrushka, 1 b2 3 b5 5 b7;
Prometheus, 1 2 3 b5 6 b7;
Japanese, 1 b2 4 5 b6 b7;
Wholetone, 1 2 3 b5 b6 b7;
Augmented, 1 b3 3 b5 b6 7;
AugmentedMaj, 1 b3 3 4 5 b6 7;
Major, 1 2 3 4 5 6 7;
Minor, 1 2 b3 4 5 6 7;
BebopMaj, 1 2 3 4 5 b6 6;
BebopMin, 1 b3 3 4 5 6 b7;
BebopMelMin, 1 2 b3 4 5 b6 6;
HarmonicMaj, 1 2 3 4 5 b6 7;
HarmonicMin, 1 2 b3 4 5 b6 7;
NeopolitanMaj, 1 b2 b3 4 5 6 7;
NeopolitanMin, 1 b2 b3 4 5 b6 7;
Dorian, 1 2 b3 4 5 6 b7;
Phrygian, 1 b2 b3 4 5 b6 b7;
Lydian, 1 2 3 b5 5 6 7;
Aeolian, 1 2 b3 4 5 b6 b7;
Mixolydian, 1 2 3 4 5 6 b7;
Locrian, 1 b2 b3 4 b5 b6 b7;
Algerian, 1 2 b3 4 b5 5 b6 7;
Enigmatic, 1 b2 3 b5 b6 b7 7;
Arabic, 1 b2 3 4 5 b6 7;
Todi, 1 b2 b3 b5 5 b6 7;
Purvi, 1 b2 3 b5 5 b6 7;
OvertoneDom, 1 2 3 b5 5 6 b7;
Hindu, 1 2 3 4 5 b6 b7;
Altered, 1 b2 b3 3 b5 b6 b7;
PhrygianDom, 1 b2 3 4 5 b6 b7;
Octatonic, 1 b2 b3 3 b5 5 6 b7;
Lydian_Minor, 1 2 3 b5 5 b6 b7;
Rag_Madhukant, 1 2 b3 b5 5 6 b7;
Rag_Madhuvanti, 1 2 b3 b5 5 6 7;
Rag_Ahir_Bhairav, 1 b2 3 4 5 6 b7;
Rag_Arnand_Bhairav, 1 b2 3 4 5 6 7;
BebopDom, 1 2 3 4 5 b7 7;
Saranga, 1 2 b3 b5 5 b7 7;
Sambah, 1 2 b3 3 5 b6 b7;
HungarianMaj, 1 b3 3 b5 5 6 b7;
InstantJazz, 1 b2 b3 b5 5 6 7;
Jeth, 1 2 b3 4 b5 6 7;
MixoBlues, 1 b3 3 4 b5 5 b7;
HungarianMin, 1 2 b3 b5 5 b6 7;
Diminished, 1 2 b3 4 b5 b6 6 7;
Bhairav_That, 1 b2 2 4 5 b6 7;
SpanishEightTone, 1 b2 b3 3 4 b5 b6 b7;
Ninetone, 1 2 b3 3 b5 5 b6 6 7;
Chromatic, 1 b2 2 b3 3 4 b5 5 b6 6 b7 7;
Japanese_A, 1 b2 4 5 b6;
Japanese_B, 1 2 4 5 b6;
Ichikosucho, 1 2 3 4 b5 5 6 7;
Taishikicho, 1 2 3 4 b5 5 6 b7 7;
Adonai_Malakh, 1 b2 2 b3 4 5 6 b7;
Magen_Abot, 1 b2 b3 3 b5 b6 b7 7;
Theta_Marva, 1 b2 3 b5 5 6 7;
Mela_Bhavapriya, 1 b2 2 4 5 b6 6;
Mela_Chalanata, 1 b3 3 4 5 b7 7;
Mela_Chitrambari, 1 2 3 b5 5 b7 7;
Mela_Dhatuvardhani, 1 b3 3 b5 5 b6 7;
Mela_Dhavalambari, 1 b2 3 b5 5 b6 6;
Mela_Divyamani, 1 b2 b3 b5 5 b7 7;
Mela_Gamanasrama, 1 b2 3 b5 5 6 7;
Mela_Gavambodhi, 1 b2 b3 b5 5 b6 6;
Chinese, 1 3 b5 5 7;
Arabian_B, 1 2 3 4 b5 b6 b7;
Javaneese, 1 b2 b3 4 5 6 b7;
Mela_Gayakapriya, 1 b2 3 4 5 b6 6;
Mela_Hatakambari, 1 b2 3 4 5 b7 7;
Mela_Jalarnavam, 1 b2 2 b5 5 b6 b7;
Mela_Jhalavarali, 1 b2 2 b5 5 6 b7;
Mela_Jyotisvarupini, 1 b3 3 b5 5 b6 b7;
Mela_Namanarayani, 1 b2 3 b5 5 b6 b7;
Mela_Pavani, 1 b2 2 b5 5 6 7;
Mela_Ragavardhani, 1 b3 3 4 5 b6 b7;
Mela_Raghupriya, 1 b2 2 b5 5 b7 7;
Mela_Ramapriya, 1 b2 3 b5 5 6 b7;
Mela_Rasikapriya, 1 b3 3 b5 5 b7 7;
Mela_Ratnangi, 1 b2 2 4 5 b6 b7;
Mela_Kantamani, 1 2 3 b5 5 b6 6;
Mela_Kosalam, 1 b3 3 b5 5 6 7;
Mela_Latangi, 1 2 3 b5 5 b6 7;
Mela_Manavati, 1 b2 2 4 5 6 7;
Schoenberg_Anagram, 1 b2 2 4 b5 6;
Harm_Hexachord__Aug_11th, 1 2 3 b5 b6 6;



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