200e

Great shot Chris!!!!!

> 
> On Feb 15, 2011, at 4:40 AM, Paul Batlan wrote:
> 
>> That helps with major scales.  How about the data for minor and other scales?  Anyone?  Never studied music theory and a matrix with 222/223 cv settings for other scales would be immensely appreciated.  Indian raga scale or gamelan anyone?
> 
> 
> I have this sequencer Max patch that has an elaborate scale system called ScaleMaster built in. It only has equal-tempered approximations of things like Slednro or Pelog (Gamelon scales). Here's the database from that quantizer. It is expressed in scale degrees, so first, here's a table of scale degrees to voltage:
> 1 = 0
> b2 = 10
> 2 = 20
> b3 = 30
> 3 = 40
> 4 = 50
> b5 = 60
> 5  = 70
> b6 = 80
> 6  = 90
> b7 = 100
> 7 = 110
> Add 120 to the above for each octave transposition. 
> 
> So for Slendro, we would have
> 1 = 0
> 2 = 20
> 4 = 50
> 5 = 70
> b7 = 100
> 
> 
> 
> ScaleMaster table:
> Octaves, 1;
> Fifths, 1 5;
> PentAmbig, 1 2 5;
> Fourths, 1 4 b7;
> cbm_q1, 1 3 4 6;
> cbm_q2, 1 b3 4 b6;
> Tristan, 1 b3 b5 b7;
> cbm_p1, 1 2 4 5 7;
> PentaMaj, 1 2 3 5 6;
> PentaMin, 1 2 b3 5 b6;
> Slendro, 1 2 4 5 b7;
> Pelog, 1 b2 b3 5 b6;
> Miyako-bushi, 1 b2 3 5 b6;
> Blues, 1 b3 4 b5 5 b7;
> SixtoneSym, 1 b2 3 4 b6 6;
> Petrushka, 1 b2 3 b5 5 b7;
> Prometheus, 1 2 3 b5 6 b7;
> Japanese, 1 b2 4 5 b6 b7;
> Wholetone, 1 2 3 b5 b6 b7;
> Augmented, 1 b3 3 b5 b6 7;
> AugmentedMaj, 1 b3 3 4 5 b6 7;
> Major, 1 2 3 4 5 6 7;
> Minor, 1 2 b3 4 5 6 7;
> BebopMaj, 1 2 3 4 5 b6 6;
> BebopMin, 1 b3 3 4 5 6 b7;
> BebopMelMin, 1 2 b3 4 5 b6 6;
> HarmonicMaj, 1 2 3 4 5 b6 7;
> HarmonicMin, 1 2 b3 4 5 b6 7;
> NeopolitanMaj, 1 b2 b3 4 5 6 7;
> NeopolitanMin, 1 b2 b3 4 5 b6 7;
> Dorian, 1 2 b3 4 5 6 b7;
> Phrygian, 1 b2 b3 4 5 b6 b7;
> Lydian, 1 2 3 b5 5 6 7;
> Aeolian, 1 2 b3 4 5 b6 b7;
> Mixolydian, 1 2 3 4 5 6 b7;
> Locrian, 1 b2 b3 4 b5 b6 b7;
> Algerian, 1 2 b3 4 b5 5 b6 7;
> Enigmatic, 1 b2 3 b5 b6 b7 7;
> Arabic, 1 b2 3 4 5 b6 7;
> Todi, 1 b2 b3 b5 5 b6 7;
> Purvi, 1 b2 3 b5 5 b6 7;
> OvertoneDom, 1 2 3 b5 5 6 b7;
> Hindu, 1 2 3 4 5 b6 b7;
> Altered, 1 b2 b3 3 b5 b6 b7;
> PhrygianDom, 1 b2 3 4 5 b6 b7;
> Octatonic, 1 b2 b3 3 b5 5 6 b7;
> Lydian_Minor, 1 2 3 b5 5 b6 b7;
> Rag_Madhukant, 1 2 b3 b5 5 6 b7;
> Rag_Madhuvanti, 1 2 b3 b5 5 6 7;
> Rag_Ahir_Bhairav, 1 b2 3 4 5 6 b7;
> Rag_Arnand_Bhairav, 1 b2 3 4 5 6 7;
> BebopDom, 1 2 3 4 5 b7 7;
> Saranga, 1 2 b3 b5 5 b7 7;
> Sambah, 1 2 b3 3 5 b6 b7;
> HungarianMaj, 1 b3 3 b5 5 6 b7;
> InstantJazz, 1 b2 b3 b5 5 6 7;
> Jeth, 1 2 b3 4 b5 6 7;
> MixoBlues, 1 b3 3 4 b5 5 b7;
> HungarianMin, 1 2 b3 b5 5 b6 7;
> Diminished, 1 2 b3 4 b5 b6 6 7;
> Bhairav_That, 1 b2 2 4 5 b6 7;
> SpanishEightTone, 1 b2 b3 3 4 b5 b6 b7;
> Ninetone, 1 2 b3 3 b5 5 b6 6 7;
> Chromatic, 1 b2 2 b3 3 4 b5 5 b6 6 b7 7;
> Japanese_A, 1 b2 4 5 b6;
> Japanese_B, 1 2 4 5 b6;
> Ichikosucho, 1 2 3 4 b5 5 6 7;
> Taishikicho, 1 2 3 4 b5 5 6 b7 7;
> Adonai_Malakh, 1 b2 2 b3 4 5 6 b7;
> Magen_Abot, 1 b2 b3 3 b5 b6 b7 7;
> Theta_Marva, 1 b2 3 b5 5 6 7;
> Mela_Bhavapriya, 1 b2 2 4 5 b6 6;
> Mela_Chalanata, 1 b3 3 4 5 b7 7;
> Mela_Chitrambari, 1 2 3 b5 5 b7 7;
> Mela_Dhatuvardhani, 1 b3 3 b5 5 b6 7;
> Mela_Dhavalambari, 1 b2 3 b5 5 b6 6;
> Mela_Divyamani, 1 b2 b3 b5 5 b7 7;
> Mela_Gamanasrama, 1 b2 3 b5 5 6 7;
> Mela_Gavambodhi, 1 b2 b3 b5 5 b6 6;
> Chinese, 1 3 b5 5 7;
> Arabian_B, 1 2 3 4 b5 b6 b7;
> Javaneese, 1 b2 b3 4 5 6 b7;
> Mela_Gayakapriya, 1 b2 3 4 5 b6 6;
> Mela_Hatakambari, 1 b2 3 4 5 b7 7;
> Mela_Jalarnavam, 1 b2 2 b5 5 b6 b7;
> Mela_Jhalavarali, 1 b2 2 b5 5 6 b7;
> Mela_Jyotisvarupini, 1 b3 3 b5 5 b6 b7;
> Mela_Namanarayani, 1 b2 3 b5 5 b6 b7;
> Mela_Pavani, 1 b2 2 b5 5 6 7;
> Mela_Ragavardhani, 1 b3 3 4 5 b6 b7;
> Mela_Raghupriya, 1 b2 2 b5 5 b7 7;
> Mela_Ramapriya, 1 b2 3 b5 5 6 b7;
> Mela_Rasikapriya, 1 b3 3 b5 5 b7 7;
> Mela_Ratnangi, 1 b2 2 4 5 b6 b7;
> Mela_Kantamani, 1 2 3 b5 5 b6 6;
> Mela_Kosalam, 1 b3 3 b5 5 6 7;
> Mela_Latangi, 1 2 3 b5 5 b6 7;
> Mela_Manavati, 1 b2 2 4 5 6 7;
> Schoenberg_Anagram, 1 b2 2 4 b5 6;
> Harm_Hexachord__Aug_11th, 1 2 3 b5 b6 6;