200e

Are you using the 210 with a fixed set of connections as a "base" to 
build patches on top of, or are you repatching through it freely as 
you need attenuation & mixing?

I don't have my system yet, so this cannot be taken as a considered 
opinion, but I would think that having a base set of connection that 
defines some of your palette patched into the 210e might be a good 
way to approach it. This way presets become a little more meaningful, 
I think.

-C

-- 
Chris Muir           | "There are many futures and only one status quo.
cbm@well.com         |  This is why conservatives mostly agree,
http://www.xfade.com |  and radicals always argue." - Brian Eno

The way I use it, especially the audio side of it, is to have all my 
oscillator outs (including sine waves) fed into it. That means four 
inputs for each oscillator (261e, of course). You can program 
different presets that define how much of each you want in your patch. 
With this set up, you never have to be moving patch cords around. 
Problem is you need two 210e's if you plan to have a 4-vco system.

And oh, while I have your attention, guys: I REALLY need to get rid of 
my 259e, so I'm offering it for $700 plus S/H. NO LESS.

Serious inquiries only to my cell, #904-537-7876
Call no later than 9 pm Eastern Time, pleeze.......

Jesus Diaz, aka cuari

The 259e is sold!


cuari7