Thanks for posting the link to the article. I enjoyed reading it. It has a lot of interesting historical background and other information. However, I have a bone to pick. At one point the article states: "Other rumours claim that Casio's PD hardware employs more general lookup- tables mappings instead of mathematically exact multiplications to circumvent the patent, which only results in slightly different timbres (or even in the same when as a special case the employed table "coincidentally" maps a multiplication)." I didn't think it was a rumor, but a bona fide explanation of how the CZ synth engine worked. I don't know if it was Casio slinging the bull in order to avoid a suit, but it seemed to make sense the way the synth engine supposedly worked--harmonic content determined not by frequency modulation of one wave by another but by altering the phase of the wave based on the rate at which waves were read out of ROM: "This system is capable of producing a variety of wave forms by distorting the read phase angles of sine and cosine waves that are written in ROM. The pattern of the read phase angle distortion is determined by the specification of the DCO . . . WAVE FORM." [CZ- 5000 manual, p. 14] The chart that follows the above explanation shows how a resultant wave is derived from a cosine wave when distorted (or shifted) by a phase angle (from 0 to 2 pi). I can see that this might be likened to frequency modulation in the traditional sense. Maybe it is just explanatory hocus-pocus. Personally, I don't think it is. Nevertheless, if it is described this way in the CZ manuals, I would hardly call it a rumor.
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Phase Distortion v. Fequency Modulation
2005-09-11 by steve_the_composer
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