Scared off? Not at all. I like a good
challenge. After spending a lot of time in trying to get my acoustic set
to act as triggers, patience has worn a little thin. I've always wanted
the DTXtreme upgrade, but affordability has to be the biggest draw for me.
So, I thought Pintechs would be a natural choice. I'm going to head over
to the nearest Guitar Center in hopes that they will let me play around a bit
with their gear, and see what I can come up with.
OGD, or anyone else for that matter, have any
thoughts on the DTXtreme2's pads and the DTXpress2's
compatibility?
Brett
Vote Quimby!
----- Original Message -----From: emfSent: Thursday, November 18, 2004 10:34 PMSubject: [DTXpress] Re: Getting the upgrade bug...again.
--- In DTXpress@yahoogroups.com, "Brett Andrighetti"
<snootchtothenootch@c...> wrote:
> Hey all. Just have a few quick questions for those that may have
the know.
>
> I was considering getting some Pintech ConcertCast Silentech
Single, and Dual Zone, pads to use with my DTXpress2. How
compatible, or problematic are non-Yamaha mesh heads when plugged
into the DTXP2 brain? Too hot? Too cold? Just right? Would love
to hear from someone with the knowledge and experience of combining
the two mighty units/pieces together.
Brett,
The Yamaha module's experience with other companies' pads is a little
like Goldielocks' experience with porridge--a little too hot or a
little too cold. That said, however, the Pintech meshes have always
been a logical upgrade from Yamaha's gum rubber. The degree of
difficulty in making the match work depends partly on your level of
tolerance, partly on your playing style, and partly on your patience.
I'm a bit reluctant to go into extreme detail on this point, since I
and others have done it to death over the years. But remember first
that the dual-zone pad will require two inputs, usually #2 and one-
half of # 9/10 (for the rim). When used with the settings for your
rubber pads, the Pintechs will probably respond horribly. I've always
thought that they sounded their best when treated as if they were
triggered acoustic drums (pad type of DT10/20), with the DIP switches
for the relevant inputs on the back of the module flipped to the up
position. Then they will run hot, with a dynamic range tilted
seriously toward loud. If you have a raucous and forgiving style, it
might not bother you, but if you'd like to have light hits in your
repetoire, you might have to tweak, especially the snare. One
solution is to insert a pot on the cable between pad and input and
use it to adjust gain so that only your hardest hits register the
highest number. You can DIY the cable with the pot or buy one for $45
or so from a company like Guyatone. You can also tinker with padding
the piezo inside the Pintech, but be careful. You don't want to lose
the warranty (though repairing an e-drum's innards isn't all that
hard; most parts are easy to obtain and install). But try the
ConcertCasts first before jumping to any conclusions. I'm a big fan
of the Pintechs.
By the way, Pintech is supposed to be sending me (and OGD) one of
their ZB3, three-zone Yamaha-compatible cymbals to review. If they
follow through, we'll give you our impressions of it vis a vis
Yamaha's own PCY-150. Pintech has always had a good relationship with
this group.
Ed
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