donn... man its been a long and ongoing process. i imagine it will also be somewhat different for different setups. for example i use a gibralter rack (rock solid) and have a rock solid drum riser, so i'm getting away with little if any rejection settings from crosstalk. now, if you set up on a loose stage or riser, you may have to tighten down the rejection settings. i am basically working with self rejection set to the min which is 5ms on pretty much everything. wish i could get it to zero, in fact. i have found that i get best results with gains set nearly maxed on the harts. that may change with more tweaking, but i have for most of my kit programs, my yamaha toms set at 32, my hart toms at 57, my hart snare at 57 and my yam snare at either 45 or 63 depending on what i'm trying to do with it. i use the hart snare as my main. i use the yam snare as either a specialty snare (ex: big fat 80s rock sound) at which case i run it at 45, because the yamahas seem 'hotter' than the hart. i have to run the hart at 57 to be approx same vol as the yam at 45. on the other hand sometimes i use the yam snare as a special fx trigger (ex: hand clap, bells, etc) so i run the gain to 63. when i do that, i'll also set the volume where i want it for the voice, and i'll usually set the velocity at min-126 max -127, that way i always get full force FX even if i mis-strike the pad i had a full band rehearsal today after really torquing the heads down tite on the harts. the reason for this, as i posted earlier, is i had one tom and the snare, periodically drop a hit. really throws me off when that happens and it was buggin the shit out of me. i tried every rejection combination, against itself, the rack, other drums, etc... i'm finally convinced (well almost convinced) that these heads like to be a quite a bit tighter than i've ever had my acoustics, almost to the point where i feel like they're too tight. but... no dropped hits today, and i was hammering unusually hard today because bass player was cranked. i'm not sure if the looser head was causing the stick to over drive the trigger, or, if the looser head was creating too much extra vibration that was within the 5ms minimum self rejection setting and hence cancelling the next hit. (thats why i mentioned earlier about wishing i could take self reject to zero just to experiment) what else... i've managed to get the kit where i'm running all the special rejections at 0 from any other drum, as well. I built my own snake for cable management so i can very quickly wire the whole set properly. (i dont use any of the channels as labeled :- ) let me know i can help with anything else. right now the only thing i want to figure out is if i can put wipe or spray something on that beautiful chrome finish on the harts. they are going to occasionally spend a few days in the cold band truck and i dont want the condensation to start pitting the surface. thinking some kind of wax or something. overall i'm thrilled with my combo hart/yam kit. good luck- vlus http://www.MonstersOfRock.info --- In DTXpress@yahoogroups.com, Don <contract731@c...> wrote: > vlus: > > Any quick advice on what tweaking of the module setting gave the > optimum results? > > donn
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Re: Hart Dynamics pads
2004-12-06 by vl2000_us
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