Stewart, This is what I did. I opened up the TP65S and left the two leads coming from the PCB to the pad piezo connected. . Trial 1: -------- I physically isolated the rubber pad containing the piezo from the bottom housing with the PCB and the rim switches. I wacked the rim switches, one at a time. No sound. I wacked the pad, and the piezo triggered the snare sound. Trial 2: -------- I then allowed about 1" of the edge of the rubber pad containing the piezo touch the bottom housing. So that when I hit the rim switch, the piezo should pick up some of the vibration. I wacked the pad, and the piezo triggered the snare sound. I wacked both the rim switches, no sound. Trial 3: -------- I set the rubber pad almost completely on the housing except for a small edge to expose a piece of the rim switch. I wacked the pad, and the piezo triggered the snare sound. I wacked the top rim switch, no sound. Trial 4: -------- With the rubber pad sitting on the housing, I used my fingers to tap the pad and rim. If I hit the rim slightly before I hit the pad, no sound. If I hit the pad slightly before I hit the rim, only the piezo triggers the snare sound. If I hit the pad and the rim at exactly the same time (micro-seconds here) only the rim triggers, the top one triggers the cross-stick and the bottom triggers the rim-shot. The moral of the experiment.The piezo and the rim switch have to triggered within micro-seconds of each other or the rim will not trigger the sound assigned to it. So if you could create a magic box that could transform the piezo signal into a rim closer, you would still need a gizmo to simultaneously trigger the piezo in the first pad or at least put a strong signal on the tip/sleeve, as well as, on the ring/sleeve, so that module is tricked into beleive the two inputs (rim/pad) had been struck simultaneously. Because without simultaneous triggering the rim input won't produce a sound. The secret maybe in the physical location of the magic box. It may have to go between the module and the pads. And it would provide the "smarts" for determining whether to just trigger the pad voice or the rim voice (or in the case of the inputs 2,6,7 one of the two rim voices.) In other words the magic box has one stereo output jack that goes to the module. It then has one mono jack to pad1, a mono jack to pad2 (and in the case of inputs 2,6,7, one additional mono jack to a third pad.) If the MB gets a signal from pad1 then it passes the signal directly to the module on the tip/sleeve conductor. If the MB gets a signal from pad2, it then sends both a "piezo" and a "rim" switch signal simultaneously on the tip/ring/sleeve (and in the case of inputs 2,6,7, a signal from the third pad would send a different signal simultaneously on the tip/ring/sleeve cable to the module.) This all sounds logical to me now, tomorrow I'm sure I look at it and go "Huh???" Any other suggestions, I game to try it. OGD
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Follow-Up on the TP65S Experiment
2004-01-16 by oldguydrummer
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