--- kirkmangraham2000 wrote: > Then what's the point of making dual inputs at all > if they can't be used? Why not just make all the tom > inputs mono? Plus how does the module know what sound > to make when you 'choke' the dual trigger cymbal pad - > can the choke sound (ie the switch) be changed to > something else? You really must look back through the group archives - this has been discussed in detail many times. The switch triggers no sound on its own. It modifies the sound triggered by the piezo. Piezo with switch open gives one sound (the centre of a cymbal, for example), piezo with switch closed (the edge of a cymbal) another. For choking, the piezo is not triggered at the same time but the module interprets the switch close (for a suitable pad type) as an instruction to mute the sound being played. Yamaha's "3-zone" inputs are the same, except they have two switches and (we assume) the switch transition for one is distinguishable from the other; perhaps one goes positive and one negative. There's still only one trigger. The Yamaha inputs are not dual trigger. That description is used for pads that have two piezos. They are stereo - a stupid name used to distinguish them as having one trigger and one switch. The stereo inputs CAN be used for separate sounds, they just can't be split onto distinct pads (until I figure out how to make my magic box). Stewart
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Re: just how many extra pads can you add ?
2004-02-15 by moosetication
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