--- In DTXpress@yahoogroups.com, "kirkmangraham2000" <kirkmangraham2000@y...> wrote: > "In order for choking to work, you need to use a PCY80S or a PCY65S. > The choking feature is a part of the rim switch feature that > is only available on the PCY80S and the PCY65S. > > IF you have a stereo cymbal pad, then you will need to set the > trigger type to a "PCY Crash" pad. Then go to the voice settings for > that pad and assign a voice for both the pad and for the rim. So if > it is plugged into input no. 7, you must set Trig In= 7 voices for > both the pad and the rim. You must also remember to use a stereo > (Tip/Ring/Sleeve) cable between the pad and the module. Using a mono > (Tip/Sleeve) cable with a only give you the pad sound and no choking > even if you have everything else setup correctly." > > So why can't I wire two seperate mono pads up using the same stereo > (Tip/Ring/Sleeve) cable and select one as pad and one as switch and > assign two differnt sounds to each? The only reason I can think > that this won't work is that the switch can't be triggered by > itself, but only as a direct 'mute' of the pad that it is assigned > to! Therefore I would have to hit the trigger pad then immediatly > hit the switch pad to get any sound out? > > Wow, I hope that makes some sense? > > > Cheers. That was my response to help recognize what is needed to get a cymbal to choke on a DTxpressI. It may help you if you look through the photos section of this group, to see what the inside of the PCY65S and the TP65S look like. The only "pad" that Yamaha makes that is a dualzone is the BP80 barpad, which has two piezos in it. There are photos of that as well. The dual piezos act completely independantly of each other. They do share a common ground path, but have independant paths ways for sending signals to the module. And as mentioned already Input 9/10 is the only dualzone input on the DTxpress module. Inputs 1-8 are stereo. In a stereo pad you have a central piezo that is mounted to the metal plate below the rubber pad. When you strike the pad anywhere, the piezo vibrates. If the rim ribbon is not closed at the same time, then the module will activate the voice assigned to the pad. If the Rim is struck, the pad piezo will also vibrate, along with the closure of the rim ribbon. If these happen within a fraction of a second of each other then the voice that is assigned to the rim is sounded by the module. (If the "RimToPad" setting is "Enabled" in the setup, then the module will sound both the voice that is assigned to the pad and the voice that is assigned to the rim.) If you physically remove the top rubber pad/metal plate that contains the piezo from the base housing of the pad of a TP65S and strike the rim switch, absolutely nothing will happen. The rim switch is mounted to the base housing (see photos in gallery). By isolating the rim ribbon switch from the piezo and striking it, you do not vibrate the piezo and so no sound is played by the module. If you physically take apart two pads, say a TP65 (mono pad) and a TP65S (Stereo Pad) and rewire them, such that the tip/ring/sleeve that is plugged into input no. 1 (as an example) and the other end you wire the tip/sleeve to the TP65 piezo and you wire the ring/ sleeve to the TP65S rim ribbon this is what will happen: When you strike the TP65 the voice assigned to the piezo on input no. 1 will sound. When you strike the TP65S rim ribbon by itself, nothing happens, no sound. If you practice and strike the TP65 pad piezo at exactly the same time as the TP65S rim ribbon then the voice assigned to the rim will sound. If you strike the TP65 slightly before or after you strike the TP65S rim ribbon, then the voice assigned to the TP65 pad piezo sounds. The choking function on the PCY65S is based on the amount of time that the rim switch is physically closed. When you strike the cymbal rim switch with a normal hit, the contact time is very short. If you strike the rim switch with a blow that continues to press on it, it will choke the cymbal, even when you don't want it to. By grabing the rim switch and holding it for longer than just a very short time, the module will detect it and will choke both edge and pad sounds. I have physically rip open the pads and cross wired them to try to acheive what has be termed the "Holy Grail" of splitting the inputs of a stereo input to act as if it were a dual zone input. There have been a lot of ideas passed back and forth about how to do this and to do it reliably since the beginning of the group in 1999, but with no success. Most new owners of the DTxpress kits go through the same process that you are going through, only to discovered, it really can't be done. Perhaps someone with some electronics experience, could eventually come up with a magic box, but I haven't seen one yet. Hope this helps. OGD
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Re: just how many extra pads can you add ?
2004-02-15 by oldguydrummer
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