Digital BW, The Print

It's such a fantastic tool though, I have to say, once you get a handle on it and start thinking outside the box. It's undoubtedly the single most utilized tool I have when it comes to doing things with ink, whether OEM or Jon's sets, and pushing the abilities of ink on paper. Other than the particulars of custom partitioning curves for  a multi part channel, like Jon does with QTR, there is not a single thing I have wanted to do that could not be worked out somehow between it's control and Photoshop channels.
But it's a daunting Pandora's box to open initially... and it won't do a damn thing for you, you have to tell it what to do, and figure how how to tell it.
Too bad it's not moving forward for the needs of the community frequenting this list.
Tyler
http://www.custom-digital.com/


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "horstenj" <j.h.j.h@...> wrote:
>
> Thanks Jon and Tyler,
> 
> This clarifies my puzzle. Indeed I was looking whether SP could be this "glorified QTR" with toners added to a monochrome quad inkset. I understand it isn't. I'll leave it there for now. Perhaps returning to it later.
> 
> Kind regards,
> 
> Joost
>