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Digital BW, The Print

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Re: UT14 sepia toned

2010-09-02 by mjnewhook

Thanks for the prompt response. Ideally I want to use an ICC with an embedded curve as I use LR to manage my images, and print. That is I don't want to have to enter PS to apply a curve to print the image :)

Is this document still the recommended process for embedded a curve in an ICC?

http://www.paulroark.com/BW-Info/Embedding_Photoshop_Curves_in_ICCs.pdf

Regards, Matthew

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul" <roark.paul@...> wrote:
>
> "mjnewhook" <mjnewhook@> wrote:
> >
> > I've recently got another digital camera and want to try my hand again with my U14/Epson 1400 B&W prints. I'm traditionally a darkroom addict, but printing digital files with my enlarger doesn't work very well :)
> > 
> > I need to redo the ICC's that I created a couple of years ago, and printed the 21-step from Paul's site last night on Ultra Premium Presentation Paper Matte. I find the tones are very sepia colored. Is that expected? How can I get a cooler tone?
> >
> 
> See http://www.paulroark.com/BW-Info/Eboni-6.pdf
> 
> The cyan channel has cool inks in it.  The magenta channel is warm carbon.  A profile that uses mostly the cyan channel will give a neutral-cool print.  This can be done with either QTR or the Epson dirver -- with PS curves preferably in an ICC.  I think there are profiles in a zip file linked to the PDF>
> 
> Paul
> www.PaulRoark.com
>

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