I'd use it with either one of Paul Roark's inksets (as sold by MIS) or one of the Cone Piezography ones. It is capable of great prints with either. Your decision is really whether you want to print on matte or gloss (or both - slightly harder) and whether you are happy with a fixed tone (best quality) or need variable tone (slightly lesser quality). Once you have answered those questions the inkset will more or less choose itself. To start with it might be best to go with one of the MIS variable tone inksets as they will print from warm to slightly cold as well as doing split tone with QTR) and do both matte and gloss. Once you have a preferred tone/finish you can then install an inkset that suits your vision better. I still have and use my 2100 for B&W and find it preferable to some of the newer desktop printers, the paper feed is definitely more robust when using matte fine art papers as I do almost exclusively. David Whistance [Non-text portions of this message have been removed]
Message
Re: 2100-2200 in 2011
2011-01-18 by David Whistance
Attachments
- No local attachments were found for this message.