> That camera obscuras were used before the fixed image has nothing > to do with > photography. There was nothing remotely like photography before > photography. > Read Batchen's "Burning with Desire" for one of many helpful books that > clear up that issue. Alan; My point is that we should consider the history of the camera's impact on the way artist's see the world - I have read Batchen and I don't think it is at odds with my concerns. If we agree or not Hockney make makes interesting comments on this issue in his latest. > Why make a distinction between digital printing and the dozens of other > methods of making an image from film? One could privilege any method of > printing in that way. The reason for my distinction is that digital imaging offers the artist a flexibility that does not exist in photography. That is not good or bad, but it is different. And I guess that I am reluctant to believe that there is some sort of photographic conspiracy against digital prints or images but rather a recognition of the difference between the two. With regard to "seeking approval" I only meant that there seemed to be a lot of disappointment here in the list with regard to the decision of B&W Magazine or the presence of digital images at AIPAD. But I could be completely wrong...it's just my observation. Wendel
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RE: [Digital BW] B&W Magazine "drops" digital prints
2002-02-27 by Wendel White
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