OK, brownish works for me. that's why I thought perhaps using a darker blend and less of it might work in a higher position. What are you going to use to drive the ink set? QTR? Studio Print? I do understand the part about not wanting to let the ink determine the color too. I believe that part might require a stronger tone from the ink set. What about a solution like a custom profile using i1 or Data color and staying with color ink? Such a specific richness in color from a mono ink set is not common and a little hard to buy off the shelf. Eric Neilsen Eric Neilsen Photography 4101 Commerce Street, Suite 9 Dallas, TX 75226 www.ericneilsenphotography.com skype me with ejprinter www.ericneilsenphotography.com/forum1 Let's Talk Photography _____ From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of davidkachel Sent: Tuesday, June 28, 2011 8:51 PM To: DigitalBlackandWhiteThePrint@yahoogroups.com Subject: Re: [Digital BW] Brown Tone Ink Set Needed Eric, For lack of more sophisticated terminology, I would call Cone's Sepia "brown--ish". I am after something much less subtle. Think turn of the century cabinet cards and then a little more brown than that... Hershey's chocolate! And then, I want to be able to control it for use on different papers rather than having to rely how the ink set chooses to behave from one paper to another. --- In DigitalBlackandWhiteThePrint@yahoogroups.com <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> , "E.Neilsen" <e.neilsen2@...> wrote: > > How do you relate brown to the Sepia set of Cones Piezotones - Sepia. I call > that a brown. [Non-text portions of this message have been removed]
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RE: [Digital BW] Brown Tone Ink Set Needed
2011-06-29 by E.Neilsen
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