Digital BW, The Print

They are not exact replacments for any Eb6 inks, but you can probably put them in the M and Lm spots so that the chips will work.  They are darker, so the Epson driver by itself will be closer to linear without an additional curve or icc.  

Paul
Www.paulroark.com

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Susan Koons" <hackberrytree@...> wrote:
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> I was going to order the warm toned M and LM UT14 inks for the 1400 printer, but realized I didn't really know which carts they replace on the E6 system. Is in M and LM slots on the E6?
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> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul" <roark.paul@> wrote:
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> > >   Paul, are these the UT14 inks, or are they different?  I  have been happy with the Ebony prints, I choose E6 based on what I perceived as reduced clogging issues. thanks Dan
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> > The UT14 warm M and LM are MIS PK and LK.  MIS has a number of these warmer, glossy-compatible carbon inks.  
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> > I've been printing with MIS PK, LK and LLK in my 7800, fulfilling orders of sepia tone carbon pigment prints from the museum restoration show I had here.  For that use, it's outstanding.
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> > For landscapes, I prefer a neutral look.  Eboni MK is the only way to get there with 100% carbon currently.  So, Eboni-6 (or the "Eboni-4" subset) have top priority for me.  Eboni-6 dilutions have been very good at avoiding clogs.  That's another reason to use them.
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> > Paul
> > www.PaulRoark.com 
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> > > 
> > > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul" <roark.paul@> wrote:
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> > > > "Susan Koons" <hackberrytree@> wrote:
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> > > > >   I am looking for papers that are warm toned. I am using Eboni 6 inks with an Epson 1400...
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> > > > By the way, if you like very warm print tones, the MIS PK, LK, and LLK inks (glossy compatible carbons) are warmer than Eboni-6.  I'm printing sepia tone images with these on Museo Silver Rag.  On matte paper then are not that warm, but noticeably warmer than Eboni-based inks.
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> > > > Paul
> > > > www.PaulRoark.com
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