Hi Lew: If you plan to frame most of your prints and if only you will see them with mats, you might want to do a quick test under glass or acrylic and look at them under daylight and tungsten (maybe even fluorescent). The difference may disappear due to the inherent UV filters in the glass. If you plan to sell them matted only, I understand why you would want them to more closely match without any glass or acrylic. All the best, Andrew Andrew Darlow Editor, The Imaging Buffet http://www.imagingbuffet.com Author, 301 Inkjet Tips and Techniques: An Essential Printing Resource for Photographers - http://www.inkjettips.com and Pet Photography 101: Tips for Taking Better Photos of Your Dog or Cat - http://www.PhotoPetTips.com http://facebook.com/andrewdarlow On Sep 27, 2011, at 8:47 PM, Lew Schwartz wrote: > Since I've migrated from a traditional darkroom, I've been digitally > printing on Epson Exhibition Fiber glossy. This stuff looks great, but the > paper base is so much whiter & brighter than the traditional stuff I'd been > using that it makes my Crescent White Glove mats look a little dingy. White > Glove is among the whitest Crescent makes .... so can anyone suggest a > whiter mat? > [Non-text portions of this message have been removed]
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Re: [Digital BW] Whitest mat paper ...
2011-09-28 by Andrew Darlow
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