Digital BW, The Print

Yes, this is something I'm aware of... I use the UT14-C ink from
MIS in the inkset to compensate. But I would like to go to pure carbon.
I'm currently using Hahnemühle (PhotoRag, Bamboo and PR Bright White).
In black only mode on Bright White I get something not too warm, but
this paper contains OBA. 

By the way, I had a look on the market: the
only "neutral" available pure carbon ink is Jon Cone's Piezography, I'm
afraid... 

Regards 

Sylvain. 

On Tue, 10 Jul 2012 14:39:47 +0200,
Ernst Dinkla wrote: 

> On 07/10/2012 11:38 AM, Sylvain M. wrote:
>> Thx
Ernst. However, you give the Lab values for the paper itself only. What
I'm looking for is a paper giving neutral tones with EBONI inks, in the
high lights as well as in the shadows. Regards Sylvain.
> Paul Roark's
Eboni-1400 PDF gives a good impression of what Eboni diluted and Eboni
Black Only does with various papers. The Eboni is not neutral itself to
start with and it will be hard to get a full range neutral without color
toning that ink. -- Met vriendelijke groet, Ernst Dinkla Grafische
Techniek Quad, piëzografie, giclée www.pigment-print.com [1]



Links:
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[1] http://www.pigment-print.com


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