Ernst, > There are several good reasons to drop glossy pigment inks like > bronzing, gloss difference, etc I definitely agree with that position. > but the yellow edges of Museo > Silver Rag should not be among them I think. See the post I just made of my observations of Clayton's samples. You may well be right. However, because I have been using Museo, things like this are a source of anxiety. I'm not sure I trust RC papers for "fine art" or where serious longevity is important. Then again, only one notch lower is my concern for the coatings even on matte papers. > On mixing HP PK, I have a simple ink set in an HP K5400 4 channel > printer. MK in black position, PK in Cyan, 1/3 PK in Magenta, > 1/9 PK in Yellow... > Ink medium is an OCP alternative gloss > enhancer for Kodak thermal head printers... > it is working without flaws. I hope it continues to work well. Being able to mix custom B&W inksets for thermal heads could open up some very interesting possibilities. Is there any information on the OCP gloss enhancer? This seems to be a product from Germany. The first hit on a Google search was -- http://www.octopus-office.de/en/shop/details/c/printer-ink-for-kodak-10-c/p/ocp-gloss-optimizer-for-kodak-10-c/ And for a possible US source, see -- http://www.rjettek.com/Kodak/1935766-Gloss-Optimizer/ Paul www.PaulRoark.com
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Re: [Digital BW] Neutralish Glossy Printing
2012-09-05 by Paul
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