Eboni would be a bad choice for warm prints on matte paper. What's special about it is how neutral it is on those papers. Cone's Sepia set would be a better choice. On Thu, Jul 18, 2013 at 2:34 PM, David Kachel <david@davidkachel.com> wrote: > ** > > > From: Paul Roark > > "For more warmth, I use the MIS glossy carbons -- the K4 PK, LK, and LLK." > > But, you would use those on glossy, not matte paper, correct? So, starting > from this setup from your article: > Y = Eb6-Y (2% Eboni) > > LM = Eb6-LM (6% Eboni) > > LLK = Eb6-LC (9% Eboni) > > M = Eb6-M (18% Eboni) > > LK = Eb6-C (30% Eboni) > > K = Eboni MK > > How would you alter that list for a 3800, maximum brown/warmth on matte > paper? > > > David Kachel > > ___________________ > > Artist-Photographer > Fine B&W Photographs > > www.davidkachel.com > david@... > > Gallery: > www.reddoorfinephotographs.com > director@... > > PO Box 1893 > Alpine, TX 79831 > (432) 386-5787 > > [Non-text portions of this message have been removed] > > > [Non-text portions of this message have been removed]
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Re: [Digital BW] Getting Started
2013-07-18 by pdesmidt tds.net
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