Digital BW, The Print

I am not completely certain what "ABW" stands for, and hence my subsequent
comments might also reflect your work flow.  Might you provide a link to
"ABW"?
ABW = "Advanced Black & White", Epson's built-in system for getting better
B&W images.
 


Such split toning is, to my understanding, not available when using the Cone
inks.

Probably not. As I understand it, Cone has set up his system so that you can
use Epson's driver. QTR is a lot more flexible.
 
I gather that Jon can achieve the same tonal variation by using different
INK SETS with black and white ink components adding different tones.  As you
are no doubt aware, he provides his own ICC profiles for his ink sets and
various papers.

Using a different ink set means flushing your printer. There are variable
tone ink sets that don't require changing inks or flushing. Don't know if
Cone makes one.
 
 
I am currently using my wife's 2880.  If the entire digital paradigm can
approach the "look" of analog prints made with film then the 3880 is on the
horizon.

You have to remember that this is a new and different technology. To expect
the "look" of analog prints is to expect both too much and too little, at
the same time. I can make a far better, more impactful overall print
digitally than I ever could in the darkroom and I was no slouch in the
darkroom. Still, when I look at my inventory of analog prints, there are
some features I miss, though never enough to even consider going back. The
mistake everyone makes when switching from analog to digital is trying to
get things the same as they were. It is a new medium and sees the world
differently. Just get the best out of it you can. You won't be disappointed.

David Kachel

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Artist-Photographer
Fine B&W Photographs

www.davidkachel.com
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