Digital BW, The Print

Hi
 I am new to this group and am thinking of setting up to produce
black 
and white prints. I have been looking at the postings for a couple of 
weeks and learning a lot, but am confused over a couple of things.

1) with regard to the MIS FS neutral inks, at one point they are 
described at graphite grey, which sounds great, then again as 
comparing to a selenium toned silver print, not so good for me. Which 
is it?

2) People have recommended the Niagara CIS system in combination with 
MIS inks. What is wrong with the MIS continous ink system? It's 
cheaper. Does the Niagara offer any advantages?

3) I have serious pizza wheel markings on glossy paper on my Epson 
750. Any suggestions as to how to remedy?

Thanks for any help you can give

Eric  

--- In DigitalBlackandWhiteThePrint@y..., "mkravit" 
<michael.kravit@w...> wrote:
> I received a set of the final MIS FS Neutral inks that Paul Roark 
and 
> Bob Zeiss have be working on for the past few months. My inital 
> reaction was one of excitement. Now a few days later I am more 
> excited than ever.
> 
> I have a print sitting on bookcase next to a Piezo Print and a 
> selenium toned Ilford Multigrade FB print. The difference is
amazing 
> between the Piezo print and the other two. The MIS FS N print and 
the 
> selenium toned silver print are almost indestinguishible. The
silver 
> print is one of Mark Kletts desert images.
> 
> The MIS FS Neutral inks work as plug and play with the Piezo inks 
> utilizing the Piezo driver or RIP as well as the Colobyte
Imageprint 
> 4 RIP.
> 
> In all honesty, these inks make the best "inkjet" B/W prints I have 
> seen. And many of you know I have seen some incredible images.
> 
> Mike
> 
> Michael J. Kravit
> Architect/Photgrapher
> Boca Rat