Digital BW, The Print

Jerry,

I don't know Phil Borges but I do know several photographers that have done 
and continue to do serious exhibitions.  They may be well known in the 
photographic community and they make a decent living but they are hardly 
rich. In the case of traveling exhibits, it is the practice of the previous 
exhibition site to pay for the shipping to the next exhibition site.  The 
shipping crates are most certainly reused and repaired if necessary.  That 
list of grants and donors at the bottom of a program pays for more than the 
cost of program, the opening party and any advertising.  The artist may 
have also secured a grant or donation to pay for the initial packing and 
shipping.

Lots of groups, companies, etc. support the arts, many in some not so 
obvious ways.  The money is there if you go and ask for it.  I used to 
volunteer for one of the local museums (it is a great way to meet single 
women) and I was on a party committe or two.  One of my duties was to get 
soft drinks donated for some function.  I was sweating the details (I was a 
senior buyer for a large manufacturing company at the time and I was used 
to being able to hold a big contract over a vendor's head whenever I needed 
something).  So I call up the local soda distributor, identify myself and 
the function while fearing the worst and to my amazement not only did they 
say yes but they fell all over themselves saying yes.  All they asked was 
credit in the program in the corporate sponsorship section and this was the 
major distributor in town.

Drew


At 10:05 PM 3/28/02, you wrote:
>And thus puts serious exhibits out of the reach of most photographers.
>(except the rich ones :))
>
>Jerry
>
>
>
> >
> > Who knows, they don't tell me those things. ;-)
> > We get some pretty big exhibits, I am sure that the shipping costs run into
> > the thousands.
> >
> > Mike
> >
> > ----- Original Message -----
> > From: "Jerry Olson" <jerryolson@...>
> > To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> > Sent: Thursday, March 28, 2002 9:28 PM
> > Subject: Re: [Digital BW] Ideas for shipping framed prints?
> >
> > > And the total cost for shipping was?
> > >
> > > curious in Dakota
> > >
> > >
> > >
> > >
> > > Michael Kravit wrote:
> > > >
> > > > The majority of the prints we receive at the Palm Beach Photographic
> > Museum
> > > > for our shows are shipped to us crated by truck or FedEx freight. The
> > crates
> > > > are wood frames and plywood. The majority have vertical foam strips
> > mounted
> > > > every 2-3 inches. The framed prints slip down into these slots. The
> > result
> > > > is that they are separated and cushoned by the foam. The bottom of the
> > crate
> > > > and top are lined with foam so as to add cushioning.
> > > >
> > > > We now have approximately 6o of Phil Borges prints on display from his
> > > > Enduring Spirit show. They came in 5 crates with 12 framed prints in
> > each.
> > > >
> > > > Michael J. Kravit
> > > > Architect/Photographer
> > > > Palm Beach Photographic Center
> > > > Board of Directors
> > > >
> > > >
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>Please visit the Group Homepage to check the Files, Bookmarks, Polls and 
>other resources as they are often being updated. The page is at:
>
>http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
>Please follow these basic guidelines:
>- Include your full name with your message.
>- Include the address of your website, if you have one.
>- As threads develop, trim off excess portions of earlier messages to keep 
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>- As the topic of a thread changes remember to change the subject header.
>- Good manners are required at all time. No personal attacks or "flames."
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>- Before posting a question, search the message archives and the various 
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