On the first point - maybe we have a problem of definition (like I can see banding from 12 / 18" that other people just can't see - perhaps because they are not photographers, or perfectionists??) So either my close-up eye-sight is REALLY good, or, well, it's just non-perfectionists who refuse to see the bands! So your post prompted me to take a look at some of my prints that I recently did for print samples... I had some rejects from the early few as the printer was settling post that cleaning I mentioned. I too had also cleaned the underside of the print-head with a 'sponge on a stick' from an AF printer-cleaning kit (someone else, Todd I think mentions the use of similar tools from Tandy), and I think this is what causes the drop out of ink, as the friction will pull ink out of the heads (or something). Anyway... just took a look at my prints and I would classify the rejects I picked up first as being micro-banding and sub-micro banding - first one you could see from 12" no trouble, the next, you got a 'hint' of it but if you get any closer you can't see the detail any more. Looking through a loupe, I saw banding in the first case, and again, a 'hint of banding' on the latter. The loupe made things harder in a way, as using Somerset Enh Velvet it's quite a fibrous paper so you actually see more detail in the paper surface at that magnification than you can in the banding. i.e. You havbe a vague sense of 'streakiness' but it's actually very difficult to put your finger on. If it came down to it, I would probably be prepared to send out the 'sub-micro banded' prints as samples. One of my 'selected' prints by the way, showed no banding, and I swear to you that even under a loupe, I wouldn't be able to tell which way the print-head had been moving - perhaps because dot-gain on this paper seems to be, well, more than some other papers. And if anyone's wondering, I printed about 120 A4 sheets in two days - I wasn't rushing, at all... I believe I could have done more than double that if I'd been a little more concentrated. 99% of them were perfect once it got going. (getting going being the 10 or so sheets the day before) Don't stop being a perfectionist! Nij > -----Original Message----- > From: Martin Wesley [mailto:mwesley250@...] <snip> > What I am referring to here is not "micro banding" which is visible > at normal viewing distances but rather "microscopic banding" that > requires a loupe to see. This is I believe is the basic dither > pattern of the Piezo driver, which if all is well is invisible. <snip> > I am being overly, obsessively particular. A character flaw I am not > likely to correct at this point!
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RE: [Digital BW] Re: Goodbye Cone Driver Forever!
2001-08-22 by Nij
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