Paul's right: given a tripod and film flatness, quite ordinary lenses generate remarkable negs. Which brings me to the cheapest solution of all. The 6x7 Koni-Omegas are built like armored vehicles, and incorporate the Simmons backplate in their separable magazines. The backplate moves away from the film plane as the film is advanced, and the last centimeter or so of the film advance slide presses it FLAT against the film and film plane. And the lenses are at least good, and in two instances damn good. (Hexanons). The machines were a press standard in the seventies, and are now all over the place for $250, usually with the 90mm. I use the twin-lens variant, the Koni-Omegaflex, much rarer and a hundred dollars or so more expensive. Scanned with a new Epson 2450 for printing in my 1160, the 6x7 negatives are very, very satisfying. Bob Bollini
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re: my wife/what cameras do you like
2002-04-26 by p5198
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