Digital BW, The Print

Jerry-

You will also find PROFOUND differences from paper to paper.

Tom O'Connell

TomOC@...
www.thomasoconnell.com


--- In DigitalBlackandWhiteThePrint@y..., Jerry Olson 
<jerryolson@r...> wrote:
> Robert, they appear to have greatly improved the metamerism with 
the SG
> inkset. If you print to a nice neutral in daylight, the prints look 
just
> a tad sepia in tungsten, but not much. It's a great improvement 
from the
> magenta metamerism they used to have.
> 
> Jerry
> 
> But they ARE a dye inkset, so probably won't be as archival as one 
would like.
> 
> 
> 
> Robert Morrison wrote:
> > 
> > On 8/12/02 8:34 AM, "Jerry Olson" <jerryolson@r...> wrote:
> > 
> > > With Small gamut inks you can get any tone you want.
> > >
> > > Jerry
> > 
> > Don,
> > 
> > Without the lightfastness...and with metamerism.  Check the posts 
on this
> > inkset for other opinions before you consider it...but it is one 
serious
> > option if you want Glossy/E-surface prints.
> > 
> > Robert
> > 
> > >
> > >
> > >
> > >
> > > donbga wrote:
> > >>
> > >> Jerry,
> > >>>
> > >>> When I was selenium toning darkroom prints, Mine never had a 
purple
> > >>> cast.  I know that if you leave the papers in the toner long
> > >> enough, it
> > >>> could go purple, but I only toned for the deeper black, and 
pulled
> > >> the
> > >>> prints before they started to turn.
> > >>>
> > >>> Are most photographer's actually WANTING the purple look?
> > >>
> > >> In a word yes! One of the tyrannys of quad tone inks is the 
lack of
> > >> flexible color options.
> > >>
> > >> Don Bryant
> > >>
> > >>
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> > >>
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