----- Original Message ----- From: "nedbuntline2002" <jon.judson@...> To: <DigitalBlackandWhiteThePrint@yahoogroups.com> Sent: Thursday, August 29, 2002 6:14 AM Subject: [Digital BW] How Would I Know If My Scanner Is Good Enough? (snip) > I'd like to know if my scanner is up to snuff. > If I need to replace that too, then I might just stay with all-silver > for awhile yet. > > The specs on the ScanMaker 4 are: > > 600 X 1200 dpi Optical Resolution > 9600 X 9600 dpi Interpolated Resolution > 3.4 DMax Jon, In a word, "No." As Stan pointed out you have a 600dpi scanner and that is not going to give you much. Scanner quality depends on resolution, quality of the optics, electronics, mechanics and software driving. At a minimum, upgrade to an Espon 2450 (~$400) which goes up to 2400 dpi and use that as your scanning resolution and down sample in Photoshop if you want a smaller file. Above the 2450 the choices would move up to the Epson 1680 at about $1,200 from there you would have to jump to close to $5,000 for a Polaroid or Artix 4x5 film scanner or a used drum scanner. A used Leaf 45 would be another possibility and perhaps closer to $2,500. I started out with a 1200ppi Linoscan 1400 for 4x5 and a Polaroid Sprintscan 4000 for 35mm. Next a Polaroid Sprintscan 120 for my medium format negs and I finally got a used Howtek drum scanner for the 4x5 and it will also do everything else as well. I would have saved a lot of money by just getting the drum scanner in the first place. I am not encouraging you to get a drum scanner but just want to point out the economic pitfall of moving up in quality incrementally. I have read some good arguments that the maximum resolution you need for scanning negatives and transparencies is about 2500 ppi. Beyond that you are simply using more and more pixels for each bit of grain and are not really getting any more detail out of the film, below that you are not getting everything the film has to offer. Martin Wesley
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Re: [Digital BW] How Would I Know If My Scanner Is Good Enough?
2002-08-30 by Martin Wesley
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