--- In DigitalBlackandWhiteThePrint@y..., "Mark Tucker" <mark@m...> wrote: > --- In DigitalBlackandWhiteThePrint@y..., "Phil Bard" <phil@p...> > wrote: > > Mark, > > The double hit of black your referring to is accomplished by > running > > two printers (ie. ink rollers) both loaded with black ink. > > > For some reason, I thought the double-dot black was done in the > engraving film somehow. So that a client could save money by > running the job on a one-color press, with a single hit of black. > But somehow the film "tricked" it into getting more density. (But > reading this, it sounds kinda fishy doesn't it.). > > Maybe it WAS done with two passes of black. Maybe the money > savings was running the job on a two-color press, rather than a > four or six-color press. Maybe that was it. > > But that was probably eighteen years ago when I did that job that > way. (Way before anybody had even thought about a > Macintosh....). > > -Mark Mark, Every technology seems to have it's own vocabulary which is rapidly changing in meaning as technology increases. I also thought it referred to a way to increase black with a single plate and pass through the press. It's the plates and passes that control the cost. Maybe you run the same plate twice with different ink loading to punch up the blacks. You pay for the double pass but not the extra plate. Just a thought. Martin
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Re: Was: Mono- Ink Print, now Double-Dot Black
2001-09-03 by Martin Wesley
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