>I did that same thing once using the Epson dyes in my 7000. I >think I just printed one out as a "quick proof", with the Epson >driver set to "Black Only", but at 1440. I certainly didn't expect too >much from the print; I was just looking at some of the details; not >really going for a "final print". But I too was shocked at how good >it was, and also how neutral. There's a certain look of perfect >neutrality, and when you see it, you know it. The black-only nailed >it. It made me want to pursue getting more richness out of it; that >might have been the only thing lacking. -Mark Tucker Mark - That "look of perfect neutrality" is exactly what I was after. _All_ the quadtone prints I have seen have at least a subliminal look of being polychromatic. What I am used to from a B&W print is a single tone, distributed in various (very finely-grained) ways on a piece of white paper; the K-only method reproduces or simulates that appearance. It's also a physically and conceptually simple approach: black ink on white paper is a very, very old way of creating images, and I like putting myself in the way of that tradition. -- Nick NICHOLAS HARTMANN +1 (414) 271-4890 611 N. Broadway, Suite 509 fax: +1 (414) 271-4892 Milwaukee, WI 53202, USA polyglot@... Technical and scientific translator: German and French -> English
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Re: [Digital BW] Re: Nicholas Hartmann's Mono- Ink Print
2001-09-04 by Nicholas Hartmann
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