Digital BW, The Print

Jerry is a bit of an animal when it comes to his prints :-) The very idea o
f putting fineprints in a stack and shuffling them!! I ask you... I use WR a
lot (and PR) with EAM for workprints. The WR (brushed down before I print on
it as that gets rid of any loose stuff) goes straight into plastic bags or
frames. The only time I came a cropper was using it for a print exchange and
folk put them in a stack and , um, shuffled them and they didn't like it too
much!
Julian
----- Original Message -----
From: "Albert Wang" <leica_phile@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Wednesday, September 18, 2002 6:22 PM
Subject: Re: [Digital BW] Loving that Cone Wells River paper...


> Hi Jerry,
>
> Thanks for the info about Wells River. I like the texture quite a bit
> and will test more sheets of it later on... So far I only printed out
> 2 test prints on it and put them into an Itoya binder. Anyways, is
> the thicker William Turner 308 less susceptible to the flaking
> problem? If so, I would love to test that one and see how that goes.
>
> Tonite I will be working on the German Etching paper and hope that I
> can get better results. I will invest into a ICC profiling system
> from Cone system for the C80 and see whether i get better results
> than before ya know? :D
>
> sincerely, AW
>
> > Albert, The Wells River paper, which is supposed to be a thin
> William
> > Turner, is notorious for flaking. Print a print with a lot of
> blacks and
> > then put in a stack of other prints, and shuffle through the stack
> a few
> > times. You should see hundreds of little tiny white flecks in the
> black
> > areas. I did, when I tried the paper about a year ago. Other than
> that,
> > it's a great paper...
> >
>
>
>
>
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