Carolyn, After having some time to try out some of the suggestions in your workflow I have a couple of questions. When you use multiple scans to control a high contrast image, do you have to do any special blending techniques with your layer masks to get a smooth transition from one to the other? You wrote "... duplicate image layer, desaturate, invert, gausian blur a bit and then apply over original image layer with an overlay or soft light blend set from 10 - 30%." Is the 10-30% the layer "Opacity" or are you using the "Fill Opacity" in the "Advanced Blending" section? Or do they do the same thing? What are your favorite papers to use with the Epson inks to get a B&W print? You asked, "I am looking forward to trying out quad-tone inks... which would you recommend would be easiest to start out with?" This is a hard choice. From a software point of view the PiezoBW inks and driver combination are the most user friendly. However they do seem to suffer from more "mechanical" difficulties in terms of ink clogging and sometimes require a good deal of patience for things to clear up. The MIS VM would be the other choice. With Paul Roark's curves the software end is very workable but lacks a slick user interface. There is also a lack of ink/paper/printer curves at the moment but it does work great out of the box with Epson Archival Matte and the Legion Photo Matte. With your experience, tweaking a few curves to get what you wanted should not be a problem. (Which you could then share saving the rest of us lazy folks from having to do our own. <<G>>) The MIS inks do not seem to suffer the "mechanical" problems of the Piezo inks in terms of clogging. Ink color is a very personal think. The Piezo inks are warm-neutral and the MIS VM inks can be adjusted to print very cold to warm depending upon the curve you use. If you contact inkjetmall.com they will send you a very small sample print of the Piezo inks. In terms of cost the MIS is the least damaging to the pocket book to get into. If you want to print on glossy rather than matte papers you should consider the Lincoln Inks Spectratone Quads. This is a dye based ink set, which has a very nice selenium tone to them. You can find their website in the "Bookmarks" section. Regarding the CYMK workflow check back through Tyler Boley's posts. He has been doing just that for quite some time. Also check out Dan Culbertson's posts. Thanks again for the info. Martin
Message
B&W Prints from a Color Ink Set Re: A dye-ink workflow for B&W on Epson
2001-09-07 by Martin Wesley
Attachments
- No local attachments were found for this message.