Benoît, By all means keep us all posted on the project! Great website by the way and a wonderful collection of B&W portraits. As the resident coating guy I have to ask how you applied the Suregard Clear Gloss to the prints? Thanks, Martin --- In DigitalBlackandWhiteThePrint@y..., Benoit Malphettes <Benoit@s...> wrote: > Garry, > I am doing some tests with A&I Color Lab here in Los Angeles that could > completely change my way of working. > If it works out the way I hope it will, I will still shoot conventional film > on 4x5 to 8x10 film; it will then be scanned by the lab and we will > digitally retouch it at the studio then back to the lab where they will > print this file on a LightJet. We have done a test with a 40x60 inch color > print and were quite impressed by the quality. We did a test with a B&W > outputted to a LighJet and were disappointed, no deep black and overall an > RC print feel to it. So now I am exploring the piezo/quad inkjet solution > and I am very encouraged by what I see. A friend of mine here just got a > 7000 and we are planning to print the same B&W neg. By then we will have the > same neg printed 30x30 on fiber and on a LightJet and a 24x24 on the 7000 > . All color prints we deliver are lacquered (Suregard Clear Gloss) and we > did lacquer some piezo prints on EAM and it removes the "fragility" factor > of the upper layer of those prints and deepens the blacks beautifully. > If you are interested I will be glad to share the results as we progress. > And btw, incorporating in my daily routine the attentive reading of this > newsgroup has been extremely helpful. > Benoît > http://studiocharis.com > (snip)
Message
Re: Attention Studio Portrait Photographers
2001-09-07 by Martin Wesley
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