--- In DigitalBlackandWhiteThePrint@y..., "Tom O'Connell" <TomOC@s...> wrote: and although he sees progress for what it > is, he loves silver prints and wants to dedicate his publication to > them exclusively. It may sound like antagonism toward digital, but > after my dialog with him, I think all of his decisions are based on a > positive affinity for silver not anything anti-digital ------ Bullshit. If that's the case, and he wants to "dedicate his publication" to silver, then he should also instruct his advertisers of that viewpoint as well, in that, they should make no mention of digital technology in any of their ads. I guarantee you one thing -- he would get REALLY clear on exactly how he felt about digital, if he had the cojones to make that statement. Again, you're either "in" or your "out"; you can't have it both ways. It's really such a silly philosophy, and I'd bet one that's driven very much by collectors, and advertisers (the silver-based Tree/Rock/Root photographers who are freaking out about the future of their income). It's just so transparent. You just bought into his dramatic justification; that's all. You just TRY to look yourself in the mirror tonight; you wont' be able to. And like someone else said, Is it "digital" if it was shot with a slimy D60 digital camera, but then output to an enlarged contact negative, and then printed in gum bichromate, in a monastery darkroom in the Himalayas, by the Dalai Lama himself? Or, is it "digital" if it was shot with Ansel Adams' own 8x10 Deardorff, with filmstock stolen from Ansel Adams' own refrigerator, but then scanned on a Cruse scanner, but then output to an Epson 9600? The lines are so fuzzy that making the line in the sand between the two technologies is just silly. And is it not just as evil for a computer-driven enlarger to have particpated in the making of the silver print? And what if the "artist" doesn't even make his own prints, but he sends them out so that some eyebrowed-pierced, dope-smoking teenager who works in a commercial lab can actually "create the art" for him? Talk about ludicrous; now THAT is ludicrous... The more I think about it, the madder I get. I wish I'd waited til now to write that Henry guy my letter. It certainly would have contained different language. I'm not even a subscriber, and still I want to unsubscribe. -MT, http://marktucker.com/
Message
Re: Dec. Issue: B/W Magazine
2002-11-17 by Mark Tucker
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