Very interesting. I, like many of us, it would seem, love the black density from dyes but would very much like to find something that lasts a bit longer. I also like the general look and feel of Photo Rag and Satine, but even with my dyes and lots of tweaking they seem awfully light. There's a lot of uneven surface area there for the light to bounce around in; varnish would do the trick. If a 2200 ever shows up on our (U.S) shores again, I might jump in and give the Mayer rod a whirl. Or I could varnish a dye print and get some *really* interesting results...I'm assuming that, unlike the commercial offset inks I'm used to, inkjet dyes would smear like butter, no? Or I stand under Mark's window and wait for that 9600 to come sailing out. I figure if the blacks are that light, it won't hurt too much when it lands on me. Thanks again, Matthew -------- >>Mathew, >>This is a common technique in ink/pigment labs where we use the Mayer rod for testing small samples. I then adapted this for use with coatings for our prints. It works well up to about 24" wide. Beyond that I think it will be difficult to manage the rod without a specially built rod holder. The key with a rod coating is using the proper rod (wire) size for the viscosity of the coating that you are applying...this in turn needs to be balanced with the polymer solids in the coating. Robert
Message
Meyer rods; Paul's technique
2002-11-18 by Matthew Born
Attachments
- No local attachments were found for this message.