--- In DigitalBlackandWhiteThePrint@y..., "neilhfolberg" <folberg@n...> wrote: > <snip> > > I had more flaking problems then this with photorag. I used > William > > Turner more and this was also bad. But I must add that the > humidity > > here is low. What happens after you spot print and frame it, > only to > > discover that it flakes more hanging on the wall? Or does the > fixative > > prevent all future flaking? > > I haven't had the prints hanging yet, but I have been keeping > them in a portfolio case and handling them a lot and they haven't > flaked. I guess this can be representative of putting print through it's "paces", flake-wise then. The thing about being behind a frame is that you'd have to disassemble it to respot it. And worse than this, if you used plexi instead of glass, the static charge buildup might contribute to flaking. I put Eclipse behind conservation clear (UV) glass and usually don't have problems. Btw, I didn't mean to give the impression that I used a LOT of Photo Rag, just printed a few samples and gave up. My flaking experiences were much more with William Turner...but still both papers are made by same company, and my photo Rag samples had flaking. > > I've been thinking of doing some b&w prints with small areas > of spot > > color added which IP5 folks tell me is possible IF I run IP5 to > print > > RGB. > > It will work fine - you get perfectly neutral B&W prints using the > RGB profiles in IP, all you lose is the "toner" control. Thank you- when buying a new printer, other's observations on how good it works are crucial. Esp as with IP5 included, this gets pricy for a desktop. Jim H. > > Neil Folberg > www.neilfolberg.com
Message
Re: Ultrachrome in B&W
2002-11-26 by jim hayes
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