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Digital BW, The Print

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Message

RE: [Digital BW] Re: Convert to B&W plugins

2002-12-04 by Shire,Stanley

Can you send me a before and after file? Email attachment off-list would
be great.
sshire@...
 
 
Stan Shire
Associate Professor/Department Chair
Photographic Imaging
Community College of Philadelphia
Adobe Photoshop 6 A.C.E.
Author: Hands On Photoshop 7: Tutorial Workshops

215 751-8320
sshire@...
-----Original Message-----
From: Stephen Kobrin [mailto:skobrin@...] 
Sent: Tuesday, December 03, 2002 4:09 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Re: Convert to B&W plugins
 
Stan's data seem clear, but all I can say is that when I scan B&W 
film as rgb, for some negatives, using the channel mixer to convert 
to grayscale makes a big difference.  

Steve


--- In DigitalBlackandWhiteThePrint@y..., "Shire,Stanley" 
<sshire@c...> wrote:
> Austin:
> That was the first thing that I did (look at the channels in the 
histo display)
> tiny, tiny differences.
>   ----- Original Message ----- 
>   From: Austin Franklin 
>   To: DigitalBlackandWhiteThePrint@y... 
>   Sent: Tuesday, December 03, 2002 1:51 PM
>   Subject: RE: [Digital BW] Re: Convert to B&W plugins
> 
> 
>   Stan,
> 
>   You can just scan the B&W negative, in RGB, and bring it into PS 
and compare
>   the three channels.  You can compare RGB using the histogram, as 
well as
>   compare them visually by hitting <ctl> ~, 1, 2 and 3...for All 
Channels,
>   Red, Green, Blue...  Depending on the image, you will see 
anywhere from
>   small tonal differences, to quite noticeable tonal differences in 
the
>   different channels.
> 
>   Regards,
> 
>   Austin
> 
> 
>   > -----Original Message-----
>   > From: Shire,Stanley [mailto:sshire@c...]
>   > Sent: Tuesday, December 03, 2002 1:21 PM
>   > To: DigitalBlackandWhiteThePrint@y...
>   > Subject: Re: [Digital BW] Re: Convert to B&W plugins
>   >
>   >
>   > BW neg scans in color neg mode
>   >
>   > Quick on-the-fly-between-classes test results
>   >
>   > 35mm tmax 100 neg
>   > Tmax developer
>   >
>   > The scans were made on an Imacon 848 and a Coolscan 1000 (I
>   > figured that the greatest differences would show with these two)
>   >
>   > Both scanners set to scan at 8 bit, color neg mode.
>   > Scan sizes were matched as closely as possible to 25mb
>   >
>   > 4 Markers placed in the same areas on each file. Tried to place
>   > them in areas of differing densities.
>   >
>   > Imacon 848 scan
>   > Marker    R    G    B
>   > 1            22    22    22
>   > 2            255    255    255
>   > 3            240    234    234
>   > 4            166    165    159
>   >
>   >
>   > Nikon Coolscan 1000
>   >
>   > Marker    R        G        B
>   > 1            5        5        4
>   > 2            255    255    255
>   > 3            206    199    186
>   > 4            174    171    166
>   >
>   > Did not correct for density differences between the scans as I
>   > wanted make no changes to the raw data as it came from the 
scanners.
>   >
>   >
>   > Interpret this data as you will. My conclusion is that yes, 
there
>   > are slight differences with red being higher in density than
>   > green and blue being ther lowest density.
>   >
>   > The similar density differences between the two scans might
>   > indicate a slight warm color in the film base.
>   >
>   > Big conclusion (YMMV): Very minimal difference between scanning
>   > in RGB and GS modes.
>   > Very minor tonal changes when converting with the ConvertToBW 
Pro
>   > plugin. Not enough (if I were shooting a lot of BW film) to make
>   > me go with a file that's 3x larger.
>   >
>   > Any thoughts appreciated.
> 
> 
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