Mark, I still don't understand. Why can't you get the exact same effect in PS on a file that is grayscale? All a filter does is shift/modify the tonality, and you can easily do that in PS to a grayscale file. Austin > -----Original Message----- > From: Mark Hahn [mailto:markhahn2000@...] > Sent: Thursday, December 05, 2002 1:22 PM > To: DigitalBlackandWhiteThePrint@yahoogroups.com > Subject: [Digital BW] Re: Convert to B&W plugins > > > Using the Channel mixer/plugins gives you the flexiblity to choose > a "filter" after shooting (ie. green, yellow, orange etc.), with B&W > film you get one chance and if you don't like it, tough. Also, you > get infinitely variable filters digitally, while with film you only > get the choice of what you happen to have with you (I am usually > lucky if I have just one filter with me). It gives you much more > control and flexiblity over traditional methods. > > mark > > ... > > I don't understand. What control (or anything for that matter) is > lacking > > in scanning B&W films as grayscale if your ultimate goal is > grayscale? > > > > Austin
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RE: [Digital BW] Re: Convert to B&W plugins
2002-12-05 by Austin Franklin
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