I just sign mine with a sharpened #2 pencil. The signature is there, somewhat light, which suits me OK since it doesn't detract from the print. That's on EAM. On silver paper, it is somewhat darker. For dry-mounted prints, assuming you are dry- mounting on museum board, it is obviously no problem since you sign on the mat.
----- Original Message -----
From: Thomas Fors
To: DigitalBW ; digitalprintmaking@yahoogroups.com
Sent: Sunday, December 15, 2002 5:35 PM
Subject: [Digital BW] Signing Epson Coated Paper
I know the issue of signing prints has come up before, and I've searched the
archives, but I can't find any solutions to my specific problem.
What do you use to sign coated paper? Specifically, Epson Textured
Fine-Art, but I've noticed problems writing on EAM/EEM also.
I've tried fine-tip india ink pens and they always get clogged from the
coating after a few strokes.
Charcoal and carbon pencils either just scratch the paper (too hard) or look
like crayon on the textured surface (too soft). Maybe I just haven't found
the right hardness yet, but I'd really like to sign in ink.
The only two pens I've found so far that work are:
1. Cheap plastic ballpoint "syringe" pen (ebay item #1793004549) --
probably not very archival!
2. Faber Castell PITT artist pen (brush tip. other tips get clogged) --
indian ink, but I'd like finer lines.
Any suggestions?
Thanks
--Tom
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[Non-text portions of this message have been removed]Message
Re: [Digital BW] Signing Epson Coated Paper
2002-12-16 by Ken Carney
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