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Digital BW, The Print

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Message

Re: [Digital BW] Digest Number 1228 re print stability.

2003-01-07 by s.wadham

Thanks for your reply. I visited your website and was pleased to learn that
once the prints have turned colour, they will not change further. So could I
confidently exhibit and sell for
example a reddish print? Has anyone  tested one?
Best wishes from Serena.

----- Original Message -----
From: <DigitalBlackandWhiteThePrint@yahoogroups.com>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Monday, January 06, 2003 7:15 PM
Subject: [Digital BW] Digest Number 1228


> Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:
>
> http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
> If you wish to receive no emails or just a daily digest, or you wish to
unsubscribe, please edit your Membership preferences by visiting this same
page.
>
> Please follow these basic guidelines:
> - Include your full name with your message.
> - Include the address of your website, if you have one.
> - As threads develop, trim off excess portions of earlier messages to keep
them short.
> - As the topic of a thread changes remember to change the subject header.
> - Good manners are required at all time. No personal attacks or
&amp;amp;quot;flames.&amp;amp;quot;
> - Complete your Yahoo profile.
> - Before posting a question, search the message archives and the various
resources on the homepage.
>
>
>
> ------------------------------------------------------------------------
>
> There are 25 messages in this issue.
>
> Topics in this digest:
>
>       1. Re: EPSON GT 9800 F scanner
>            From: "Simon Lamb" <simon@...>
>       2. Do I need to update a 1160 PiezoBW with MIS FS Neutral system?
>            From: "Jean-Marc Humbert <humbertjm@...>"
<humbertjm@...>
>       3. Print stability.
>            From: "jawa_3502002 <s.wadham@...>"
<s.wadham@...>
>       4. Re: MIS vs. Gen4 black - again
>            From: "Stephen A. Tucker <stephentucker@...>"
<stephentucker@...>
>       5. Lyson inks - metamerism and print life
>            From: "K2 Chittin <k2lists@...>" <k2lists@...>
>       6. Hahnemuhle Paper Profile
>            From: "donbga <dsbryant@...>"
<dsbryant@...>
>       7. Re: Hahnemuhle Paper Profile
>            From: "Julian Thomas" <julianthomas@...>
>       8. Re: Print stability.
>            From: "Clayton Jones <cj@...>" <cj@...>
>       9. Re: Hahnemuhle Paper Profile
>            From: Peter Palmieri <pcpalmieri@...>
>      10. storage box for 19x13 prints
>            From: "steven0356 <stevenr@...>"
<stevenr@...>
>      11. Re: Hahnemuhle Paper Profile
>            From: "John Luke <jjlphoto@...>" <jjlphoto@...>
>      12. Re: what printer??
>            From: Jerry Olson <jerryolson@...>
>      13. Re: Guinea-pigs needed (was Epson 1280 using 1290 driver)
>            From: Jerry Olson <jerryolson@...>
>      14. Re: MIS vs. Gen4 black - again
>            From: Jerry Olson <jerryolson@...>
>      15. Re: Hahnemuhle Paper Profile
>            From: Jerry Olson <jerryolson@...>
>      16. Re: storage box for 19x13 prints
>            From: Jerry Olson <jerryolson@...>
>      17. Re: Hahnemuhle Paper Profile
>            From: "Julian Thomas" <julianthomas@...>
>      18. Re: Cone Sepia and Selenium inks
>            From: "eleanor77027 <elliebrown@...>" <elliebrown@...>
>      19. Dry Mounting Images
>            From: "starchguy <starchguy@...>" <starchguy@...>
>      20. RE: Dry Mounting Images
>            From: "Austin Franklin" <darkroom@...>
>      21. AW: Dry Mounting Images
>            From: "Peter Baumbach" <info@...>
>      22. San Francisco Photo Show Announcement
>            From: "Roy Harrington <roy@...>"
<roy@...>
>      23. Re: AW: Dry Mounting Images
>            From: Jerry Olson <jerryolson@...>
>      24. Re: what printer??
>            From: "Jake Hellbach" <jake@...>
>      25. RE: Dry Mounting Images
>            From: "Austin Franklin" <darkroom@...>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 1
>    Date: Mon, 6 Jan 2003 10:09:03 -0000
>    From: "Simon Lamb" <simon@...>
> Subject: Re: EPSON GT 9800 F scanner
>
> Ernst
>
> Any feedback you can provide once you have your new 3200 would be greatly
appreciated.
>
> Simon
>   ----- Original Message -----
>   From: Ernst Dinkla
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Sent: Monday, January 06, 2003 8:39 AM
>   Subject: Re: [Digital BW] EPSON GT 9800 F scanner
>
>
>
>   ----- Original Message -----
>   From: <artcoreproductions@...>
>   To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
>   Sent: Sunday, January 05, 2003 10:22 PM
>   Subject: [Digital BW] EPSON GT 9800 F scanner
>
>
>   > Does anybody know when will EPSON release its new GT 9800 F
>   > flatbed scanner in North America???
>
>   That is the Epson Perfection 3200 in English. I've ordered one and it
should
>   have been available end of december but the delivery has been postponed,
>   hope to get it this week. The Netherlands / Europe.  Can't comment on
the
>   introduction in the USA.
>
>   Ernst
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 2
>    Date: Mon, 06 Jan 2003 11:53:03 -0000
>    From: "Jean-Marc Humbert <humbertjm@...>" <humbertjm@...>
> Subject: Do I need to update a 1160 PiezoBW with MIS FS Neutral system?
>
> Happy new year to everyone here from Paris and may this year be the
> year of the Digital Black&White printing!
>
> I use (and I am mostly glad with it) a 1160 with the PiezographyBW
> driver together with MIS FS Neutral, mostly on EAM.
>
> Shall I update to something better for b&w prints, my dreams being:
>
> - to have a true matching between screen and prints (instead of using
> the manual curves through PS and personal dot gain settings)
>
> - to print decently on semi-gloss papers.
>
> Thanks for your advice
>
> JM Humbert
> Paris, France
>
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 3
>    Date: Mon, 06 Jan 2003 12:26:07 -0000
>    From: "jawa_3502002 <s.wadham@...>"
<s.wadham@...>
> Subject: Print stability.
>
> Last week I looked through my digital prints dating from
> 1994. The first were made with a Star thermal printer, the SJ144.
> NO problems  there except the low resolution. Next an Epson which
> faded so quiuckly that I  sold it immediately.Then a better Star,
> whose
> prints faded while they were on display in a local gallery, to my
> great shame. I then gave up trying for some years. However in 1999
> I resumed my efforts with a HP Deskjet 970c. Some of those prints are
> still perfectly all right, especially those made on ordinary 80gsm
> copier paper. Following recommendations from another photographer,
> I bought a secondhand Epson 800. This time I tried supposedly-
> archival Lyson Small Gamust inks: the prints loked really nice.
> Especially those on Epson Glossy paper. The colours they are now vary
> from purplish to reddish to greenish.
> Finally, I got a refurbished Epson 870, in August 2002. I liked the
> results but will they change colour or fade? I haven't used this
> printer for B/W - only with the original inks.
> I must add that I still have some chemically-processed prints
> which I made in the 1960s,and they are O.K.
> My question is: how old is the oldest digital print which is still
> in reasonable condition? What printer and inks and paper were used
> and how was it stored? I'll be grateful for any replies.
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 4
>    Date: Mon, 06 Jan 2003 12:44:02 -0000
>    From: "Stephen A. Tucker <stephentucker@...>"
<stephentucker@...>
> Subject: Re: MIS vs. Gen4 black - again
>
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com,
>  Jerry Olson <jerryolson@r...> wrote:
>
> <snip>
>
> > The difference in the prints between the 2 inks is
> > the VM black does not make acceptable blacks (for me)
> > on watercolor papers, and the Gen 4 does.
> >
> > Jerry
> >
>
> Jerry,
>
> In my limited experience with VM black, it looks very
> dense to me on Photo Rag & EAM/HWM - although I have
> no way to actually measure it.
>
> On textured paper of any kind, VM black DOES seem to
> give up a LOT of tonal range - much more than most
> "wet darkroom" textured papers ever did.
>
> If you don't mind me asking, what watercolor papers
> do you like with the Gen4 black?
>
> Thanks,
> Steve Tucker
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 5
>    Date: Mon, 06 Jan 2003 14:40:46 -0000
>    From: "K2 Chittin <k2lists@...>" <k2lists@...>
> Subject: Lyson inks - metamerism and print life
>
> I have the occasional need to print on semi-gloss and am considering
> Lyson inks.  There has been talk of metamerism in the past, with both
> quad black and SG.  I wonder if this has been overcome.
>
> Is anyone out there using either of these inksets with semi-gloss
> papers?  How do they fare for metamerism?  I don't need toning
> ability so either inkset is a possible candidate.
>
> I intend on using the Ilford Smooth Pearl, which has a really nice
> surface and weight.  It's also mega cheap here.  Any thoughts as to
> print life where clients are likely to keep the prints in an album?
>
> Lyson inks are expensive, so I'd like to jump right in with a CIS on
> an 890, rather than try out first with carts.
>
> Thanks
>
> K2
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 6
>    Date: Mon, 06 Jan 2003 15:24:47 -0000
>    From: "donbga <dsbryant@...>" <dsbryant@...>
> Subject: Hahnemuhle Paper Profile
>
> Somewhere this past week, I read on the net that all Hahnemuhle
> papers have the same profile which leads me to a couple of questions.
>
> Is this true?
>
> And if so does that mean that the less expensive versions could be
> used for proofing?
>
> Thanks,
>
> Don Bryant
>
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 7
>    Date: Mon, 6 Jan 2003 16:30:09 +0100
>    From: "Julian Thomas" <julianthomas@...>
> Subject: Re: Hahnemuhle Paper Profile
>
> No Don it isn't true - I use PR and WT and they need totally different
> treatment. For proofing I use EAM - again profiled, so that what works on
> EAM will then work on the other papers with their own profiles - more or
> less!
>
> Julian
> ----- Original Message -----
> From: <dsbryant@...>
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Sent: Monday, January 06, 2003 4:24 PM
> Subject: [Digital BW] Hahnemuhle Paper Profile
>
>
> > Somewhere this past week, I read on the net that all Hahnemuhle
> > papers have the same profile which leads me to a couple of questions.
> >
> > Is this true?
> >
> > And if so does that mean that the less expensive versions could be
> > used for proofing?
> >
> > Thanks,
> >
> > Don Bryant
> >
> >
> >
> > Please visit the Group Homepage to check the Files, Bookmarks, Polls and
> other resources as they are often being updated. The page is at:
> >
> > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> > If you wish to receive no emails or just a daily digest, or you wish to
> unsubscribe, please edit your Membership preferences by visiting this same
> page.
> >
> > Please follow these basic guidelines:
> > - Include your full name with your message.
> > - Include the address of your website, if you have one.
> > - As threads develop, trim off excess portions of earlier messages to
keep
> them short.
> > - As the topic of a thread changes remember to change the subject
header.
> > - Good manners are required at all time. No personal attacks or
> &amp;amp;quot;flames.&amp;amp;quot;
> > - Complete your Yahoo profile.
> > - Before posting a question, search the message archives and the various
> resources on the homepage.
> >
> >
> >
> >
> > Your use of Yahoo! Groups is subject to
http://docs.yahoo.com/info/terms/
> >
> >
> >
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 8
>    Date: Mon, 06 Jan 2003 15:39:04 -0000
>    From: "Clayton Jones <cj@...>" <cj@...>
> Subject: Re: Print stability.
>
> Hello s.wadham,
>
> I don't know what the oldest print is, but at this point in time every
> ink will fade and color shift to some degree.  The 2nd article in the
> series on my web site (listed below) gives an overview of the
> different kinds of inks and what the problems are.  There are some
> inks that last a long time with minimal problems.  They are getting
> better, but none are perfect yet.
>
> Regards,
> Clayton
>
>
> Info on black and white digital printing at
> http://www.cjcom.net/digiprnarts.htm
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 9
>    Date: Mon, 06 Jan 2003 12:02:09 -0500
>    From: Peter Palmieri <pcpalmieri@...>
> Subject: Re: Hahnemuhle Paper Profile
>
> Having read so many raves about Hahnemuhle Paper Rag, I bought the paper
and have printed several B&W's using it. I have an Epson 2200, WinXP and am
using PS7. I have not used a profile for it. Rather I have used the settings
suggested suggested by Professor Schofield (thank you Professor!) at
www.luminous-landscape.com . Those settings produce very satisfactory prints
using Matte Black ink. The only change from his suggestions is the media
selection, which is set to Watercolor Paper Radiant White.
>
> The prints are very satisfactory, as I have said, but always wondering
whether there are "tweaks" that could improve on a good thing.
>
> I did carefully produce a color profile, with expert assistance, for the
subject paper using Profile Prism. However, Epson's Enhanced Matte paper,
using Epson's canned profile, produced a better looking print. All other
parameters remained unchanged so that a reasonable comparison could be made.
>
> Settings, tweaks, suggestions, profiles etc. for printing B&W's on HPR
will be most appreciated.
>
> Thanks for any help!
>
> Peter
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 10
>    Date: Mon, 06 Jan 2003 17:03:16 -0000
>    From: "steven0356 <stevenr@...>" <stevenr@...>
> Subject: storage box for 19x13 prints
>
> I am looking for a  storage box to hold my 19x13 prints. Does
> anyone know of a source for something like this.
>
> Thanks
>
> Steve
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 11
>    Date: Mon, 06 Jan 2003 17:08:34 -0000
>    From: "John Luke <jjlphoto@...>" <jjlphoto@...>
> Subject: Re: Hahnemuhle Paper Profile
>
> I use Photo Rag 308, Albrect Durer, and Torchon on an Epson 1280 with
> Gen-4 ink. My profile target was printed on Photo Rag 308 and read
> with the DTPxrite
> autospectophotmeter with ProfilerPro (or was it Profilemaker Pro?
> Either way, it was not the Opti/Photo-Cal one.)
>
> With very slight adjustment layers, and I do mean slight, that
> profile works on all 3 papers. In fact, you would be hard pressed to
> tell the difference even if I didn't use
> adjustment layers.
>
> John Luke
> APA/ASMP
>
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 12
>    Date: Mon, 06 Jan 2003 11:21:55 -0600
>    From: Jerry Olson <jerryolson@...>
> Subject: Re: what printer??
>
> The 1280 is one of the best printers on the market, and you should be
> able to get a new one now for about $379 or so. If $300 is absolutely
> your top limit, you could get the smaller 8.5 inch wide version, but
> would then be limited
> to 8x44 inch prints.
>
>
>
> Jerry
>
>
>
>
> "Marti nelson " wrote:
> >
> > I am wanting to purchase a new printer. I am looking for one to print
> > my graphite Pencil artwork. I do not have alot of $$ but was
> > wondering if anyone could tell me of a good printer in the ..don't
> > laugh...$300.00 range. I know ya get what you pay for..lol..but this
> > is all i can afford. Any suggestions would be appreciated.
> >
> > Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:
> >
> > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> > If you wish to receive no emails or just a daily digest, or you wish to
unsubscribe, please edit your Membership preferences by visiting this same
page.
> >
> > Please follow these basic guidelines:
> > - Include your full name with your message.
> > - Include the address of your website, if you have one.
> > - As threads develop, trim off excess portions of earlier messages to
keep them short.
> > - As the topic of a thread changes remember to change the subject
header.
> > - Good manners are required at all time. No personal attacks or
&amp;amp;quot;flames.&amp;amp;quot;
> > - Complete your Yahoo profile.
> > - Before posting a question, search the message archives and the various
resources on the homepage.
> >
> >
> >
> > Your use of Yahoo! Groups is subject to
http://docs.yahoo.com/info/terms/
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 13
>    Date: Mon, 06 Jan 2003 11:27:24 -0600
>    From: Jerry Olson <jerryolson@...>
> Subject: Re: Guinea-pigs needed (was Epson 1280 using 1290 driver)
>
> Steven, compared to Generation 4 Enhanced black, how black is your black?
>
> Jerry
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 14
>    Date: Mon, 06 Jan 2003 11:39:34 -0600
>    From: Jerry Olson <jerryolson@...>
> Subject: Re: MIS vs. Gen4 black - again
>
>
> Steve, there is a difference, with gen 4 on any paper.
>
> It makes Eclipse Satine acceptable (it's my favorite paper).  The VM ink
> would not result in deep enough blacks to be acceptable on this paper.
>
> Photo Rag, Wells River, William Turner, Torchon, all exhibit outstanding
> blacks with the GEN 4 black.  It's been rated at 100+ years, and that's
> good enough for me.
>
> A great way to see for yourself which black is truly the best in
> density, is simply do a dip and dunk test with a 1x6 inch piece of all
> the papers you normally use.  The Gen 4 black always comes out the
> winner. I dunk each strip twice, about 20 seconds apart and lay them on
> a sheet of plastic, printing side up, until dry.
>
> Jerry
>
>
>
>
>
> "Stephen A. Tucker " wrote:
> >
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com,
> >  Jerry Olson <jerryolson@r...> wrote:
> >
> > <snip>
> >
> > > The difference in the prints between the 2 inks is
> > > the VM black does not make acceptable blacks (for me)
> > > on watercolor papers, and the Gen 4 does.
> > >
> > > Jerry
> > >
> >
> > Jerry,
> >
> > In my limited experience with VM black, it looks very
> > dense to me on Photo Rag & EAM/HWM - although I have
> > no way to actually measure it.
> >
> > On textured paper of any kind, VM black DOES seem to
> > give up a LOT of tonal range - much more than most
> > "wet darkroom" textured papers ever did.
> >
> > If you don't mind me asking, what watercolor papers
> > do you like with the Gen4 black?
> >
> > Thanks,
> > Steve Tucker
> >
> > Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:
> >
> > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> > If you wish to receive no emails or just a daily digest, or you wish to
unsubscribe, please edit your Membership preferences by visiting this same
page.
> >
> > Please follow these basic guidelines:
> > - Include your full name with your message.
> > - Include the address of your website, if you have one.
> > - As threads develop, trim off excess portions of earlier messages to
keep them short.
> > - As the topic of a thread changes remember to change the subject
header.
> > - Good manners are required at all time. No personal attacks or
&amp;amp;quot;flames.&amp;amp;quot;
> > - Complete your Yahoo profile.
> > - Before posting a question, search the message archives and the various
resources on the homepage.
> >
> >
> >
> > Your use of Yahoo! Groups is subject to
http://docs.yahoo.com/info/terms/
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 15
>    Date: Mon, 06 Jan 2003 11:44:29 -0600
>    From: Jerry Olson <jerryolson@...>
> Subject: Re: Hahnemuhle Paper Profile
>
> They seem to print the same with Paul's Curves and VM inks...
>
> Jerry
>
>
>
> "donbga " wrote:
> >
> > Somewhere this past week, I read on the net that all Hahnemuhle
> > papers have the same profile which leads me to a couple of questions.
> >
> > Is this true?
> >
> > And if so does that mean that the less expensive versions could be
> > used for proofing?
> >
> > Thanks,
> >
> > Don Bryant
> >
> > Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:
> >
> > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> > If you wish to receive no emails or just a daily digest, or you wish to
unsubscribe, please edit your Membership preferences by visiting this same
page.
> >
> > Please follow these basic guidelines:
> > - Include your full name with your message.
> > - Include the address of your website, if you have one.
> > - As threads develop, trim off excess portions of earlier messages to
keep them short.
> > - As the topic of a thread changes remember to change the subject
header.
> > - Good manners are required at all time. No personal attacks or
&amp;amp;quot;flames.&amp;amp;quot;
> > - Complete your Yahoo profile.
> > - Before posting a question, search the message archives and the various
resources on the homepage.
> >
> >
> >
> > Your use of Yahoo! Groups is subject to
http://docs.yahoo.com/info/terms/
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 16
>    Date: Mon, 06 Jan 2003 11:50:36 -0600
>    From: Jerry Olson <jerryolson@...>
> Subject: Re: storage box for 19x13 prints
>
> Inkjet Goodies has some clamshell boxes that should hold about a hundred
> or so 13x19 inch prints after they have been inserted into Clear plastic
> bags.
>
> Jerry
>
>
>
> "steven0356 " wrote:
> >
> > I am looking for a  storage box to hold my 19x13 prints. Does
> > anyone know of a source for something like this.
> >
> > Thanks
> >
> > Steve
> >
> > Please visit the Group Homepage to check the Files, Bookmarks, Polls and
other resources as they are often being updated. The page is at:
> >
> > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> > If you wish to receive no emails or just a daily digest, or you wish to
unsubscribe, please edit your Membership preferences by visiting this same
page.
> >
> > Please follow these basic guidelines:
> > - Include your full name with your message.
> > - Include the address of your website, if you have one.
> > - As threads develop, trim off excess portions of earlier messages to
keep them short.
> > - As the topic of a thread changes remember to change the subject
header.
> > - Good manners are required at all time. No personal attacks or
&amp;amp;quot;flames.&amp;amp;quot;
> > - Complete your Yahoo profile.
> > - Before posting a question, search the message archives and the various
resources on the homepage.
> >
> >
> >
> > Your use of Yahoo! Groups is subject to
http://docs.yahoo.com/info/terms/
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 17
>    Date: Mon, 6 Jan 2003 18:52:31 +0100
>    From: "Julian Thomas" <julianthomas@...>
> Subject: Re: Hahnemuhle Paper Profile
>
> Looks like our experiences vary! The piezo profiles seem to give different
> results depending on paper/profile. When I was working on my RGB workflow
> the WR needed a more extreme curve than PR to sort out shadow detail and
> both papers gave a different reading on the 50% greypatch. But again -
> thisonly applies to my cis and my printer and the FS inks I was using.
Loads
> of variables..
>
> Julian
> ----- Original Message -----
> From: <jjlphoto@...>
> To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
> Sent: Monday, January 06, 2003 6:08 PM
> Subject: Re: [Digital BW] Hahnemuhle Paper Profile
>
>
> > I use Photo Rag 308, Albrect Durer, and Torchon on an Epson 1280 with
> > Gen-4 ink. My profile target was printed on Photo Rag 308 and read
> > with the DTPxrite
> > autospectophotmeter with ProfilerPro (or was it Profilemaker Pro?
> > Either way, it was not the Opti/Photo-Cal one.)
> >
> > With very slight adjustment layers, and I do mean slight, that
> > profile works on all 3 papers. In fact, you would be hard pressed to
> > tell the difference even if I didn't use
> > adjustment layers.
> >
> > John Luke
> > APA/ASMP
> >
> >
> >
> > Please visit the Group Homepage to check the Files, Bookmarks, Polls and
> other resources as they are often being updated. The page is at:
> >
> > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> > If you wish to receive no emails or just a daily digest, or you wish to
> unsubscribe, please edit your Membership preferences by visiting this same
> page.
> >
> > Please follow these basic guidelines:
> > - Include your full name with your message.
> > - Include the address of your website, if you have one.
> > - As threads develop, trim off excess portions of earlier messages to
keep
> them short.
> > - As the topic of a thread changes remember to change the subject
header.
> > - Good manners are required at all time. No personal attacks or
> &amp;amp;quot;flames.&amp;amp;quot;
> > - Complete your Yahoo profile.
> > - Before posting a question, search the message archives and the various
> resources on the homepage.
> >
> >
> >
> >
> > Your use of Yahoo! Groups is subject to
http://docs.yahoo.com/info/terms/
> >
> >
> >
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 18
>    Date: Mon, 06 Jan 2003 18:22:12 -0000
>    From: "eleanor77027 <elliebrown@...>" <elliebrown@...>
> Subject: Re: Cone Sepia and Selenium inks
>
> Evelyn the tone of my Cone carbon sepia prints on the Photo Rag 308 is
> almost identical to the tone of my silver prints printed on Agfa Classic
toned
> on Kodak Brown Toner.  The carbon sepia tone is the most beautiful brown
> tone I've ever seen--a rich very warm brown that is not plagued with the
> greenish/yellow/orange tint of many sepia prints done with other
inks/media/
> toners, etc.  eleanor
>
>
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Evelyn Grant <
> ingamom@y...> wrote:
> > Eleanor,
> >
> > I am using the piezotone carbon sepia with Photo Rag
> > 308 and I'm not seeing any real brown tones. Are you
> > getting really brown prints or are they just warm
> > black & whites?
> >
> > Evelyn
> > --- "eleanor77027 <elliebrown@a...>"
> > <elliebrown@a...> wrote:
> > > I have been struggling with what to do with digital
> > > black and white
> > > printing (I'm
> > > a silver printer at heart) for a long time and with
> > > the advent of the
> > > new cone
> > > piezotone carbon sepia and selenium inks I will
> > > probably sell my
> > > darkroom
> > > equipment in the near future.  the tone of these
> > > inks is nothing
> > > short of
> > > exquisite on the Ham. Photo Rag 308 and the Kodak
> > > Ultima Satin.  The
> > > Kodak paper allows the inks to dry and the ink
> > > doesn't rub off but
> > > this smooth
> > > surface satin paper does need to be sprayed or
> > > brushed with a
> > > lacquer.  and
> > > of course the Photo Rag 308 is awesome.
> > >
> > > My 1280 printer is working well with these inks and
> > > I haven't
> > > developed any
> > > serious clogs like I did with the original Piezo
> > > inks.  eleanor brown
> > >
> > >
> >
> >
> > __________________________________________________
> > Do you Yahoo!?
> > Yahoo! Mail Plus - Powerful. Affordable. Sign up now.
> > http://mailplus.yahoo.com
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 19
>    Date: Mon, 06 Jan 2003 18:23:47 -0000
>    From: "starchguy <starchguy@...>" <starchguy@...>
> Subject: Dry Mounting Images
>
> Need some suggestions. I would imagine an inkjet paper and the inks
> themselves would not/could not withstand the heat of a heat press for
> dry mounting like regular photgraphic papers do.  Any suggestions on
> how to mount images OR is there a "system/process" that can be used
> utilizing a cold process.
>
> TY in advance.
>
> Steve
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 20
>    Date: Mon, 6 Jan 2003 13:26:52 -0500
>    From: "Austin Franklin" <darkroom@...>
> Subject: RE: Dry Mounting Images
>
> Hi Steve,
>
> I dry mount my Piezo prints with no problem.
>
> Austin
>
> > Need some suggestions. I would imagine an inkjet paper and the inks
> > themselves would not/could not withstand the heat of a heat press for
> > dry mounting like regular photgraphic papers do.  Any suggestions on
> > how to mount images OR is there a "system/process" that can be used
> > utilizing a cold process.
> >
> > TY in advance.
> >
> > Steve
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 21
>    Date: Mon, 6 Jan 2003 19:48:26 +0100
>    From: "Peter Baumbach" <info@...>
> Subject: AW: Dry Mounting Images
>
> Hi Austin,
>
> does the black density increases when you dry mount your Piezo prints
(like
> it is the case with conventional silver prints)?
>
> Regards,
> Peter Baumbach
>   -----Ursprungliche Nachricht-----
>   Von: Austin Franklin [mailto:darkroom@...]
>   Gesendet: Montag, 6. Januar 2003 19:27
>   An: DigitalBlackandWhiteThePrint@yahoogroups.com
>   Betreff: RE: [Digital BW] Dry Mounting Images
>
>
>   Hi Steve,
>
>   I dry mount my Piezo prints with no problem.
>
>   Austin
>
>   > Need some suggestions. I would imagine an inkjet paper and the inks
>   > themselves would not/could not withstand the heat of a heat press for
>   > dry mounting like regular photgraphic papers do.  Any suggestions on
>   > how to mount images OR is there a "system/process" that can be used
>   > utilizing a cold process.
>   >
>   > TY in advance.
>   >
>   > Steve
>
>
>         Yahoo! Groups Sponsor
>               ADVERTISEMENT
>
>
>
>
>   Please visit the Group Homepage to check the Files, Bookmarks, Polls and
> other resources as they are often being updated. The page is at:
>
>   http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
>
>   If you wish to receive no emails or just a daily digest, or you wish to
> unsubscribe, please edit your Membership preferences by visiting this same
> page.
>
>   Please follow these basic guidelines:
>   - Include your full name with your message.
>   - Include the address of your website, if you have one.
>   - As threads develop, trim off excess portions of earlier messages to
keep
> them short.
>   - As the topic of a thread changes remember to change the subject
header.
>   - Good manners are required at all time. No personal attacks or
> &amp;amp;quot;flames.&amp;amp;quot;
>   - Complete your Yahoo profile.
>   - Before posting a question, search the message archives and the various
> resources on the homepage.
>
>
>
>
>   Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service.
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 22
>    Date: Mon, 06 Jan 2003 18:55:12 -0000
>    From: "Roy Harrington <roy@...>" <roy@...>
> Subject: San Francisco Photo Show Announcement
>
>
> Hi All,
>
> I just finished hanging pictures for a joint photo show at
> Gallery House in Palo Alto.  There's four of us in the show
> with lots of different work.   My photos are different than my
> usual subject matter -- they are all train images from the steam
> train era.  Some from Hunter's Point, SF; some from Jamestown,
> CA.
>
> Here's the details:
> January 7 to February 8, 2003
> Reception: Friday, Jan 10, 6-8pm
>
> Gallery House
> 320 California Ave
> Palo Alto, CA 94306
> 650-326-1668
>
> Hours: Tues 11-5, Wed-Sat 11-9
> Enter thru the Printers Inc Cafe
> across the street from Keeble & Shuchat.
>
> Also, I'll be working in the gallery, Thurs Jan 9 from 11 to 5.
>
> Hope some of you can come visit.
> Roy Harrington
>
> http://www.harrington.com
>
>
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 23
>    Date: Mon, 06 Jan 2003 13:06:01 -0600
>    From: Jerry Olson <jerryolson@...>
> Subject: Re: AW: Dry Mounting Images
>
> I've never noticed any increase in density when I dry mount a silver
> print! This is the first I've heard of this.
>
> Jerry
>
>
>
> Peter Baumbach wrote:
> >
> > Hi Austin,
> >
> > does the black density increases when you dry mount your Piezo prints
(like
> > it is the case with conventional silver prints)?
> >
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 24
>    Date: Mon, 6 Jan 2003 13:06:18 -0600
>    From: "Jake Hellbach" <jake@...>
> Subject: Re: what printer??
>
> Hi,
> Well this brings up a question for me. I'm looking to upgrade my printer.
I
> was going to get the Epson 2200.
> Any advantage on that versus the 1280?
>
> Thanks,
> Jake
> www.jakehellbachphoto.com
>
> > The 1280 is one of the best printers on the market, and you should be
> > able to get a new one now for about $379 or so. If $300 is
> absolutely.......
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
> Message: 25
>    Date: Mon, 6 Jan 2003 14:15:20 -0500
>    From: "Austin Franklin" <darkroom@...>
> Subject: RE: Dry Mounting Images
>
> Hi Peter,
>
> No, not that I have noticed, in either case...but I have not measured it.
>
> Regards,
>
> Austin
>
>
> > -----Original Message-----
> > From: Peter Baumbach [mailto:info@...]
> > Sent: Monday, January 06, 2003 1:48 PM
> > To: DigitalBlackandWhiteThePrint@yahoogroups.com
> > Subject: AW: [Digital BW] Dry Mounting Images
> >
> >
> > Hi Austin,
> >
> > does the black density increases when you dry mount your Piezo
> > prints (like
> > it is the case with conventional silver prints)?
> >
> > Regards,
> > Peter Baumbach
> >   -----Ursprungliche Nachricht-----
> >   Von: Austin Franklin [mailto:darkroom@...]
> >   Gesendet: Montag, 6. Januar 2003 19:27
> >   An: DigitalBlackandWhiteThePrint@yahoogroups.com
> >   Betreff: RE: [Digital BW] Dry Mounting Images
> >
> >
> >   Hi Steve,
> >
> >   I dry mount my Piezo prints with no problem.
> >
> >   Austin
> >
> >   > Need some suggestions. I would imagine an inkjet paper and the inks
> >   > themselves would not/could not withstand the heat of a heat press
for
> >   > dry mounting like regular photgraphic papers do.  Any suggestions on
> >   > how to mount images OR is there a "system/process" that can be used
> >   > utilizing a cold process.
> >   >
> >   > TY in advance.
> >   >
> >   > Steve
> >
> >
> >         Yahoo! Groups Sponsor
> >               ADVERTISEMENT
> >
> >
> >
> >
> >   Please visit the Group Homepage to check the Files, Bookmarks, Polls
and
> > other resources as they are often being updated. The page is at:
> >
> >   http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> >   If you wish to receive no emails or just a daily digest, or you wish
to
> > unsubscribe, please edit your Membership preferences by visiting this
same
> > page.
> >
> >   Please follow these basic guidelines:
> >   - Include your full name with your message.
> >   - Include the address of your website, if you have one.
> >   - As threads develop, trim off excess portions of earlier
> > messages to keep
> > them short.
> >   - As the topic of a thread changes remember to change the
> > subject header.
> >   - Good manners are required at all time. No personal attacks or
> > &amp;amp;quot;flames.&amp;amp;quot;
> >   - Complete your Yahoo profile.
> >   - Before posting a question, search the message archives and the
various
> > resources on the homepage.
> >
> >
> >
> >
> >   Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service.
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> > Please visit the Group Homepage to check the Files, Bookmarks,
> > Polls and other resources as they are often being updated. The page is
at:
> >
> > http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint
> >
> > If you wish to receive no emails or just a daily digest, or you
> > wish to unsubscribe, please edit your Membership preferences by
> > visiting this same page.
> >
> > Please follow these basic guidelines:
> > - Include your full name with your message.
> > - Include the address of your website, if you have one.
> > - As threads develop, trim off excess portions of earlier
> > messages to keep them short.
> > - As the topic of a thread changes remember to change the subject
header.
> > - Good manners are required at all time. No personal attacks or
> > &amp;amp;quot;flames.&amp;amp;quot;
> > - Complete your Yahoo profile.
> > - Before posting a question, search the message archives and the
> > various resources on the homepage.
> >
> >
> >
> >
> > Your use of Yahoo! Groups is subject to
http://docs.yahoo.com/info/terms/
> >
> >
>
>
>
> ________________________________________________________________________
> ________________________________________________________________________
>
>
>
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>
>
>

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