Digital BW, The Print

Evelyn: If you will send me a CD with an image, I would be glad to send you
a couple of prints with different curves in the VM-S inks.  Others on this
list have done that for me, and it certainly helps narrow the selection when
you have actual prints to look at.

Regards,

  --Ken Carney
    www.kencarney.com

----- Original Message -----
From: "Evelyn Grant" <ingamom@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Sunday, January 05, 2003 11:13 PM
Subject: Re: [Digital BW] Cone Sepia and Selenium inks


> Ken,
>
> Thanks for your reply. It's great to get confirmation
> that I'm seeing things correctly :). Looks like once I
> run thru these Cone sepia inks I'll be switching to
> the MIS VM-S inks. I kind of feel like we're all being
> misled by Cone calling these inks sepia. They look
> more like what I used to get in the darkroom on
> Kodak's Ektalure paper before I toned it. I have been
> so satisfied with their quadtones for black & white
> that I just assumed I'd be thrilled with the sepia
> ink. Ah well, live & learn.
>
> Evelyn
>
> --- Ken Carney <kcarney1@...> wrote:
> > I looked at the Cone site for the carbon sepia
> > patch, and it looked more
> > like a fairly warm print to me  - with all of the
> > vagaries that go with a
> > web image.  With the MIS VM-S inks and the Paul
> > Roark or Keith Krebs curves
> > the print goes from a true sepia to a neutral b&w,
> > with excellent tonal
> > range, and on Epson EEM paper yet.  Between that and
> > Portra and Polaroid PN
> > film, my darkroom is history...
> >
> > Regards,
> >
> >   --Ken Carney
> >     www.kencarney.com
> >
>
> >
> >
>
>
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