I have previously mentioned that I occasionally notice increased unevenness in the "high-load" black pigs I've been printing. I think I've made some progress with these now. The short answer is that turning off "High Speed" printing on my 1160 seems to get rid of the vertical lines/marks that have appeared in some of my dark black skies. As background, what I call "high-load" pigments are those that use one of the new bases that allows pigmented inks to carry a higher content of pigment. Whereas the older pigments contained up to about 3% pigment, the new ones are up in the 6% to higher range. The UltraChromes and the PiezoTone Museum black are currently-available samples that come to mind, but these pigments will be increasingly available. The good news with respect to the high-load pigments includes the increased gamut of the color pigs and the deeper black that can be achieved without any dye. The bad news may be increase sensitivity to damage that this big pile of pigment on the paper causes. I think this puts the image at greater risk of physical abrasion, among other things. (I may spray a light archival fixative on even my matte images to protect them.) The vertical lines I've been seeing in my black skies may be mechanical marks put on a more-exposed pile of pigments on the surface of the paper. With the "High Speed" off these pigs, perhaps, have more time to dry and thus resist damage done by the 1160's rollers. Paul http://www.PaulRoark.com
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Printing High-load black pigments
2003-01-25 by Paul Roark
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