Digital BW, The Print

Jerry, I just started using that curve. I was using the MW before 
and was getting a warm shift. I am using the Gen4 K black as you 
advised. I am now using the cool curve to see if it better.

Thanks a million
vinny
http://www.wulfsden.com



--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Jerry Olson 
<jerryolson@r...> wrote:
> Vincent, use a cold or cool curve with that MIS VM inkset, and your
> prints shouldn't fade or warm much. If they fade at all it would be
> towards neutral. I use Generations 4 enhanced black with the MIS VM
> other 5 positions.
> 
> Jerry
> 
> 
> 
> 
> 
> "Vincent Orlando " wrote:
> > 
> > Paul, thanks for straightening me out. I will wait for your test
> > results. I am getting great results with the VM set and your 
curves
> > but would like something that will not fade any warmer.
> > 
> > Vinny
> > http://www.wulfsden.com
> > 
> > --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark"
> > <paul.roark@v...> wrote:
> > > Vinny,
> > >
> > > >Just wondering if the new MIS Ultrachrome black, that Paul 
says is
> > > >the best in the fade test, can be used in the black position 
of the
> > > >VM ink set. Any comments will be greatly appreciated.
> > >
> > > Sorry if I confused things.  The most light-fast black in my 
fade
> > testing is
> > > the EPSON UC Matte black.  I do not think it is necessarily the
> > best black,
> > > however.  It is very warm.  It is also a non-coated pigment, 
which
> > will
> > > probably make it fade relatively faster than the coated 
pigments in
> > real
> > > world situations.  The light-box faders dry the pigments and
> > eliminate the
> > > moisture that catalyzes the oxidation & fading.
> > >
> > > I have the PiezoTone Museum K and MIS's latest high-load matte
> > black in the
> > > fader now.  I'll know more this Friday.
> > >
> > > Paul
> > > http://www.PaulRoark.com
> > 
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