--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "plnelson2003 <peter@s...>" <peter@s...> wrote: > I just returned from a classical music weekend where > I brought some of my studio gear and did "portraits" of > some of the musicians' instruments, chiefly flute, > clarinet, English horn, and French horn. The predominent > color on these instruments was silver, with odd bits of > gold. The nonmetal parts of the English horn and clarinet > were black and I shoot them on black velvet. On some > shots I tossed in some bright colored objects to add > splashes of color, but the predominent color scheme was > silver and black. These photos were shot with a digital camera. > > In order to print what colors there were I need to print > in color, so black-only or hextones can't do the job. But > being mostly silver and black these images will reveal > any problems the printer has with either non-neutrality, > color casts at different values, or metamerism, just the > way black and white printing does. I think this is the > first situation I've run into where a RIP may be the only > solution. What makes a color RIP work is a good custom profile; Even a reasonably priced profiling suite like Monaco EZcolor will go a long way towards getting it right, if you do hardware calibration on the monitor, etc. Photoshop does fine as a RIP if you feed it the right info! Steve K
Message
Re: Possible argument in favor of RIPs
2003-02-18 by Steven Karafyllakis <stevek@evcom.net>
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