Paul, I watched Geo DeWolfe mat a print for me about the same size and what he did is about the sane except he mounted it on the same mat board as the mat and then put the foam core behind that. So you have Mat, Print, Mat Board and then foam core. I don't see any signs of it being loose. Don't know if this helps. Vinny http://www.wulfsden.com --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Paul Roark" <paul.roark@v...> wrote: > I need some advice of framing. > > The large prints from the 7500 are a new experience for me, and my old > method for framing prints seems to be causing "loose" looking prints that > are not entirely flat. > > This is what I'm doing. I use 2 Light Impressions tapes on the back of the > print, and then 2 to form a "T" above the print that holds the print to a > backing -- Light Impressions Archival foam core usually. An 8 ply over mat > is then used (hinged onto the backing by Light Impressions) and the sandwich > is put behind 1/8 inch acrylic and into a metal "Nielsen" type frame. The > backing, over mat, and glazing fit fairly snuggly into the frame, so that I > have not felt the need for springs. > > A few days after hanging on the wall, the print and over mat look loose. > The 32 by 38 inch external dimensions of the frame are, perhaps, too large > for this method to end up as a tight sandwich that holds the print flat. > > Any thoughts on how to hold the package together would be most appreciated. > > I suspect thicker paper would help, but I like the look and price of EEM > rolls. For sale prints I'll use cotton paper, but for hanging a show, EEM > seems like the cost-effective and expedient way to do it. > > Paul > http://www.PaulRoark.com
Message
Re: Framing 22x28 inch prints
2003-03-25 by Vincent Orlando
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