I can think up ideas, but don't have the courage to try it out on my own printer<GGGG>. Just to comment on the Y swap: I figured that it would entail a new set of curves; moreso I think the grey would have to be lighter. As a rough try one could put the lightest grey UT ink in the Y cart, but I don't know if you'd have a disaster mixing ink types. I'm not going to try it...<g>. Then you would have to somehow flush and refill an empty Y cart and reset the chip. And a comment on the metal plate/roller thing: I never tried it myself. It looks like the head might scrape on the sheet metal if it were lifted up too high or the head might possibly run into a wedge stuck under it. One thing I have tried is inserting a large plastic paper clip from the output slot into the rollers outside the paper width to prop up the metal a bit. Limited sucess there, but again I didn't have much of a problem anyway printing on mat. Jim H. --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "danielstaver" <daniel@p...> wrote: > > > I'm using a 2100. I've tried the eboni, universal, photo and light > > > blacks from MIS without any problems at all. The only problem I have > > > is with roller marks on Ilford Smooth Pearl, and to a lesser extent on > > > Epson Premium Semigloss, but I get that with Epson inks as well so I > > > think it's unrelated. All the matte papers I've tried so far look > fine. > > Interesting that you have no problems. Would be nice to see a set of > > grey carts for 2100/2200 manufactured. At very least the Y position > > would give some better quad options than Epson UC right now. One could > > pop the Epson Y back in for color, and swap it out for brand X light > > grey for BW-??? > > That's a really good idea actually! And I just tried it. First i > simply put a light black cartridge in the yellow slot. Didn't work. > The cartridges are made like a key in the front, each color having a > different pattern so they don't fit in each others places. I proceeded > to cut the light black cartridge with a knife until it fit. This was > less scary than it sounds like. I only had to cut off three small > plastic parts to make it fit. But now the printer just gave me a red > light in the yellow position, so I switched the chip in the light > black with the one from the yellow. Now it works. > > After a perfect nozzle check I tried a print, but I don't get anything > resembling neutral. Everything looks bright, saturated purple now. > From this I can tell that the epson driver must use a really large > amount of yellow to make its pseudo-neutral color. No wonder we have > metamerism problems. It's highly possible this could be fixed with a > prober curve, but it'll take some time I think. I'll report back if I > make any progress. > > > Have you tried any experiments with lifting the sheet metal plate that > > is spring loaded and contains all the pizza wheels and rollers? Or > > counterbalancing the spring, putting a wedge under the plate, etc? I > > haven't much of a problem here, but I use mat. Since the 2200 has this > > "feature" though and the 1280 I own doesn't spring load all the wheels > > in one plate, I thought it might be a neat trick for someone. Would > > have to make sure counterbalace/wedge didn't interfere with head > > sliding past... > > Thanks for the tip! I'll try it next time I want to print on glossy. > Sounds like it might work.
Message
Re: Eboni vs MB, FSK,UC/MK was[UltraTones - what to do]
2003-04-16 by jim hayes
Attachments
- No local attachments were found for this message.