Today I've been reading the archive about OpenPrintMaker and have been attempting to hold and organize all the relevant details and variations in my head at once. My head is not suited to such a challenge. But I can, especially thanks to Paul Roark's generous post, feel pretty confident about the first steps of choosing a particular printer to work with, and a particular ink. Actually 'achieving it' will probably take a week or so to get those two things functioning on a spare table in my work room. Then, I believe my head will be ready to SEE some initial output, and then be ready to consider whether Antonis's OpenPrintMaker and InkjetControl will make sense for the following week's focus. A week or two isn't long - though it may be even longer if my regular work keeps me busy cranking color prints out of my 9600. But... I have a VISION of something that would help. Help all of us maybe, but at least me - 52 year old guy with 37 years experience in wet darkrooms (and three sons ages 2, 4 and 6, which I'm certain has SOME effect on my limited brain power of late). A detailed chart (of some kind), or maybe a web site of individual pages dedicated to the description and presentation of various list members' methods, materials, and evaluations. It could be set up like a database, so you could select those who use 7000's or 2200's, or those who use MIS Ultra Tones or Selenium Piezotones. This might not include just anybody who wanted to be included (like a print exchange might) - but this could be intended to describe the 'more successful' or more 'satisfactory' solutions that people have come up with for producing great black & white prints. Each 'solution' would have 'Pros' and 'Cons' and maybe be written somewhat like 'reviews' of each system. Some might just describe incomplete 'experiments in progress'... Exactly how it's set up would require more thinking, and some work - but it could be immensely useful. We could say things about how things work together that aren't being said anywhere else. The physical structure of an eGroup doesn't make "grasping the big picture" of someone's setup so easy to grasp -- but some OTHER KIND of structure could somehow be created for our members. My vision is that each description would be designed to function as a mini-visit to someone's HOME with an overview of how they do their printing. Certain people would have multiple listings, if they have more than one way of making their prints. Maybe everybody (who wants to) SHOULD be part of it, because some people who do many things wrong, like those who've not yet calibrated their monitors (like me!) yet somehow still manage to make wonderful prints on a regular basis. I'll stop with this, for now. It's late and I'm bleary eyed. Maybe it couldn't work. Maybe I should hop in a car or plane and just visit everyone in person and write it up in a book, or maybe Tim Rudman will. But that's a ways off at best. Unlikely at the least. But I'd be willing to set up a dedicated web site - if there was sufficient interest. Yes? No? I may regret this in the morning, but I hope not. Clark Thomas www.simplephotographs.com
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Re: Which B&W system/too broad I know
2003-05-02 by Clark Thomas
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