James Klebau wrote: >I think Photoshop is a wonderful program, and computers make it easy to >produce bad work. I once saw images by a photographer who had transfered >cloud portions of some of his images into some of his other landscape >photographs. I thought the result was dramatic -- and corny. > > No argument there.. I feel similarly about digital sometimes... It's almost too easy to shoot technically correct images... It allows many more to pass themselves off as "photographers" or "artists," while when you look at their work it is trite, predictable, and/or simply apes someone else's.. There are legions of people who take bad initial imagery and want to add PhotoShop filters to create pseudo-art... Here I always try and keep in mind something I learned from Galen Rowell about rainbows and apply it to digital.. As many of you know, Galen was famous for Rainbows, Mountain Light and other natural lighting phenomena in his photos.. He had a cardinal rule though... Don't create an image dependent upon that effect. If it would be a good image WITHOUT the effect, then its addition to the image "can" make it a great one (not automatically "will"), and can make a "great" image "iconic." I see digital much the same way.. Start with good or great imagery and IF digital adds something significant, fine.. If not, leave it alone.. But don't hit me with crap that depends solely upon some "neat" digital effect... The former images will be timeless, the latter will be old next week. >I don't dislike photo collages. I just don't like fabrications that are >passed off as realistic. > > Agreed again... Although I get more pissed at pj's who do it than anyone else.. It's that feeling of being deliberately deceived by someone who ostensibly is supposed to be illustrating reality.. >Images by photojournalists Salgado, Bresson, and many others are art without >altering the content of the image. The art was in seeing and feeling the >moment, the pure moment photography's forte. > > I dunno, kinda bad choice there... Smith, Salgado, Cartier-Bresson, Bourke-White, etc.. real history shows they each staged images when need be... Pre-visualization and staged images (IMHO) are close cousins of images recreated after the fact.. The only REAL difference is that pre-digital it was REALLY tough to make believable after-the-fact alterations.. With digital we can all do it with ease (the trick is still to not look corny or trite),, >Sure "the camera is just a tool." But if someone uses the camera as only an >adjunct to a process, then the result is less of the kind of art that I call >photography. I could take the lens off the front of a view camera, remove >the ground glass, and pour paint through the camera onto canvas. The results >might be wonderful, but I would call it a painting, not a photograph. > > > I won't disagree there, understanding the tools of any art.. Their advantages and disadvantages is imperative to creating well with that tool. Again that takes us back to creating great imagery in-camera first.. (and for me that "in camera" rule would include stuff like Sky's where much of what might be traditionally shot "in-camera" is actually created in Bryce or Poser, etc..) For me, the real bottom line is this, if technique obscures, rather than enhances an image, or becomes THE point of the art, it'll be here today and gone tomorrow. Even if it becomes truly popular in mass culture, and a moneymaker, others will copy it and reproduce the effect at lesser skill levels and the technique will become hopelessly bourgeois. "Elvis on Velvet" (not that painting on velvet was ever a great technique) But, need I say more? Keith "Just some guy," and caretaker of the Multiverse's largest EPSON printer User Community (highly recommended by Vogon Poets and MegaDodo Publications), at: http://groups.yahoo.com/group/EPSONx7x_Printers/ "For the rest of you out there, the secret is to bang the rocks together guys" [Non-text portions of this message have been removed]
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Re: [Digital BW] Re: un-altered camera image
2003-05-10 by Editor P.O.V. Image Service
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